On April 19, 1996, the song "And the Night Comes" was released by Brian Culbertson. This song is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. The song is number 7 out of 13 in After Hours by Brian Culbertson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, And the Night Comes's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of And the Night Comes by Brian Culbertson is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Rose | Urban Knights | A♭ Major | 5 | 4B | 147 BPM | ||
| Twice in a Lifetime | Michael Lington | G Minor | 5 | 6A | 178 BPM | ||
| Eye 2 Eye | Najee | D Minor | 8 | 7A | 90 BPM | ||
| Midnight In Madrid | Joe McBride | F Minor | 6 | 4A | 96 BPM | ||
| Midnight At The Oasis | Steve Oliver | A♭ Major | 8 | 4B | 101 BPM | ||
| Top Down | Greg Manning | G Major | 7 | 9B | 110 BPM | ||
| Full Bloom | Kayla Waters | B♭ Minor | 7 | 3A | 108 BPM | ||
| After Hours (The Antidote) | Ronny Jordan | F♯ Minor | 5 | 11A | 169 BPM | ||
| If You Ask Me | Nick Colionne | B Major | 8 | 1B | 102 BPM | ||
| Only Human | George Howard | C Major | 5 | 8B | 84 BPM | ||
| Secret Affair | Brian Culbertson, Chris Botti | A Major | 4 | 11B | 95 BPM | ||
| Just As You Are | Everette Harp | D♭ Major | 7 | 3B | 204 BPM | ||
| She Closed Her Eyes in Paris | Lisa Addeo | A Minor | 7 | 8A | 84 BPM | ||
| Kissed by the Sun | Gabriel Mark Hasselbach | A Minor | 6 | 8A | 96 BPM | ||
| Point Venus | Jeff Lorber | D Minor | 8 | 7A | 96 BPM | ||
| East River Drive | Russ Freeman | D Minor | 7 | 7A | 156 BPM | ||
| Miles After Dark | David Benoit | G Minor | 7 | 6A | 96 BPM | ||
| The Sax Pack | The Sax Pack | G Major | 7 | 9B | 99 BPM | ||
| Straight to the Heart | Brian Culbertson | E♭ Major | 4 | 5B | 124 BPM | ||
| Reminisce | Cindy Bradley | D♭ Major | 5 | 3B | 142 BPM | ||
| Cherish the Journey | Marcus Johnson | B Minor | 6 | 10A | 90 BPM | ||
| Zephyr | Kayla Waters | D♭ Minor | 8 | 12A | 100 BPM | ||
| De-Stress Signal | Oli Silk | G Minor | 6 | 6A | 156 BPM | ||
| Ain't No Stoppin' Us Now | Wayman Tisdale | A♭ Major | 7 | 4B | 113 BPM | ||
| Seven Years of Good Luck | Joe Sample | E Minor | 5 | 9A | 96 BPM |