Martin Wirén's 'The Princess Danced With Her Tail' had a release date set for November 24, 2025. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Martin Wirén's "Mirrorlike" album is number 4 out of 8. On top of that, Sweden appears to be the country where this track was created. The popularity of The Princess Danced With Her Tail is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Princess Danced With Her Tail by Martin Wirén to be Prestissimo (even faster than presto) because the track has a tempo of 202 BPM, a half-time of 101BPM, and a double-time of 404 BPM. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gentle Afternoon | Erik Svensson | B♭ Minor | 1 | 3A | 133 BPM | ||
| Apres | Jorisu Kanzaki | E♭ Major | 1 | 5B | 168 BPM | ||
| Noctune: II. Beirut | Clemens Christian Poetzsch | B♭ Minor | 1 | 3A | 91 BPM | ||
| When we collide | Bruno Bavota | F Minor | 0 | 4A | 142 BPM | ||
| Asymmetry | Alex Kozobolis | D Major | 1 | 10B | 166 BPM | ||
| Ozark Plateau | Jef Martens, Bea Boethius | G Major | 2 | 9B | 92 BPM | ||
| Reminisce | Annelie | A Minor | 3 | 8A | 168 BPM | ||
| Bright | Marius Nitzbon | E♭ Minor | 2 | 2A | 82 BPM | ||
| Piers | Samuel Bosch | F Major | 0 | 7B | 74 BPM | ||
| The Light That Remains | Mischa Blanos | A Major | 1 | 11B | 122 BPM | ||
| Her Heart Is Open as the Sky | Vontmer | B♭ Major | 0 | 6B | 69 BPM | ||
| Kuldiga | Marius Nitzbon | F♯ Major | 0 | 2B | 73 BPM | ||
| where did you go? | Mark Guiliana | G Major | 3 | 9B | 112 BPM | ||
| Calmy Woods | Lina Brechtenwert | A♭ Major | 0 | 4B | 109 BPM | ||
| The Promise Of Tomorrow | Laurent Dury, JUSTEMENT MUSIC | B♭ Major | 1 | 6B | 200 BPM | ||
| Today Tomorrow Always | Pol Solonar | E♭ Major | 1 | 5B | 72 BPM | ||
| How It Ends | Lambert | F♯ Major | 0 | 2B | 101 BPM | ||
| Ère Satyrique | palipnol | A Major | 4 | 11B | 120 BPM | ||
| Dan Feels Better | Zak Engel | D♭ Major | 0 | 3B | 71 BPM | ||
| The Night We Met | Angel Ruediger, Makoto Sawai | C Major | 0 | 8B | 69 BPM | ||
| Serendip | Furari | A♭ Major | 3 | 4B | 103 BPM | ||
| Escape | Vladimir Kurumilian | G Major | 4 | 9B | 128 BPM | ||
| I Don't Want to Hide Anymore & Rainy Mood | Martin Czerny | A Minor | 1 | 8A | 168 BPM | ||
| Déjeuner sur l'herbe II | Joseph Marchand | A♭ Major | 1 | 4B | 144 BPM | ||
| Tone Poem | Laurent Dury | A Minor | 1 | 8A | 82 BPM |