Akira Inoue's ' "レティシア" was released on its scheduled release date, March 1, 1982. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "PROPHETIC DREAM-予言者の夢". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Japan. In terms of popularity, レティシア is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With レティシア by Akira Inoue having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| SUNDAY NIGHT TO MONDAY MORNING | Char | A Major | 6 | 11B | 107 BPM | ||
| HONG KONG NIGHT SIGHT | Yumi Matsutoya | F Major | 6 | 7B | 114 BPM | ||
| 避暑地の出来事 | 藤丸バンド | A Major | 5 | 11B | 84 BPM | ||
| Hot Sand | PIPER | A Minor | 7 | 8A | 116 BPM | ||
| FREE WAY 5 TO SOUTH - 2022 Remaster | 芳野藤丸 | B Minor | 6 | 10A | 118 BPM | ||
| Lazy Night - 2018 Remaster | Makoto Matsushita | D♭ Major | 6 | 3B | 121 BPM | ||
| Catching The Sun - 2012 Remaster | Kazuhito Murata | B Minor | 7 | 10A | 128 BPM | ||
| GRAVITATIONS | Akira Inoue | E Major | 8 | 12B | 141 BPM | ||
| Bewitched (Are You Leaving Soon) | Naomi Akimoto | A Minor | 7 | 8A | 133 BPM | ||
| パッション・フラワー | Shigeru Suzuki | D Major | 9 | 10B | 113 BPM | ||
| EARLY EVENING LULLABY | Jun Fukamachi | B♭ Major | 4 | 6B | 134 BPM | ||
| JOANNA | S. Kiyotaka & Omega Tribe | B Minor | 8 | 10A | 122 BPM | ||
| IN THE CITY NIGHT - 2023 Remaster | AB'S | G Minor | 7 | 6A | 117 BPM | ||
| SFO-OAKLAND | Hitomi Tohyama | C Major | 5 | 8B | 113 BPM | ||
| 海と少年 | Taeko Onuki | D Major | 7 | 10B | 105 BPM | ||
| 彼女の名前 | Naoya Matsuoka | B♭ Minor | 7 | 3A | 85 BPM | ||
| Adventure | Momoko Kikuchi | F♯ Minor | 8 | 11A | 117 BPM | ||
| Business Man, Pt. 2 - Night Visions - - 2018 Remaster | Makoto Matsushita | B Minor | 8 | 10A | 125 BPM | ||
| 初恋は片思い | Akira Inoue | B♭ Major | 4 | 6B | 119 BPM | ||
| After 5 Clash | Toshikii | B Minor | 10 | 10A | 115 BPM | ||
| PARK Ave. 1981 | EPO | E Minor | 5 | 9A | 146 BPM | ||
| うん、と僕は | Sentimental City Romance | A Minor | 8 | 8A | 106 BPM | ||
| 霧雨のあとで | 朝比奈 マリア | B Minor | 8 | 10A | 140 BPM | ||
| ドント・ビー・シリー | Kazumi Watanabe | E Minor | 3 | 9A | 106 BPM | ||
| Funny Bird | PIPER | F Major | 5 | 7B | 135 BPM |