On 2005, the song "I Always Get To Bed By Half-Past Nine" was released by George Formby. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "The War And Postwar Years - Disc A". In this album, this song's track order is #10. In terms of popularity, I Always Get To Bed By Half-Past Nine is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With I Always Get To Bed By Half-Past Nine by George Formby having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mad Dogs and Englishmen | Noel Coward | C Major | 3 | 8B | 134 BPM | ||
| Ten Cents a Dance | Ruth Etting | C Major | 1 | 8B | 174 BPM | ||
| Sugartime | Alma Cogan | E♭ Major | 4 | 5B | 96 BPM | ||
| We're Going to Hang Out the Washing On the Siegfried Line | Arthur Askey | C Major | 2 | 8B | 123 BPM | ||
| When The Red, Red Robin Comes Bob, Bob, Bobbin' Along | Al Jolson | A♭ Major | 4 | 4B | 134 BPM | ||
| Good Morning | Joe Loss And His Band | B♭ Major | 1 | 6B | 188 BPM | ||
| Boom Oo Yata-Ta-Ta - 2003 Remaster | Morecambe & Wise | C Major | 3 | 8B | 113 BPM | ||
| O'rafferty's Motor Car | Val Doonican | A Major | 4 | 11B | 125 BPM | ||
| Toot, Toot, Tootsie (Goodbye) | Fanny Brice | A Major | 5 | 11B | 124 BPM | ||
| On Mother Kelly's Doorstep | Danny La Rue | B♭ Major | 2 | 6B | 131 BPM | ||
| Kiss Me Goodnight Sergeant Major | Billy Cotton | G Major | 4 | 9B | 117 BPM | ||
| Tiggerty Boo! | Harry Roy And His Band | F♯ Major | 5 | 2B | 122 BPM | ||
| Road To Morocco: Ain't Got a Dime To My Name (Ho Hum) | Bob Hope | C Minor | 2 | 5A | 135 BPM | ||
| Paper Doll | Windsor Davies, Don Estelle | D Major | 4 | 10B | 121 BPM | ||
| (We're Gonna Hang Out) The Washing on the Siegfried Line | The Two Leslies | B♭ Major | 4 | 6B | 120 BPM | ||
| Coming in on a Wing & a Prayer | Anne Shelton | C Major | 1 | 8B | 174 BPM | ||
| Bantam Cock | Jake Thackray | A Minor | 2 | 8A | 179 BPM | ||
| Jeepers Creepers | Ethel Waters | C Major | 1 | 8B | 174 BPM | ||
| Happy days are here again | Ben Selvin & His Orchestra, Ben Selvin | C Major | 4 | 8B | 119 BPM | ||
| Keep The Home Fires Burning ('Till The Boys Come Home) | Nora Bayes, Murray Johnson, John McCormack | A Major | 2 | 11B | 167 BPM | ||
| Stalin Wasn't Stallin' | The Golden Gate Quartet | F Major | 2 | 7B | 104 BPM | ||
| Horsey, Keep Your Tail Up | Spike Jones | C Major | 1 | 8B | 174 BPM | ||
| Delaney's Donkey | Val Doonican | B♭ Major | 2 | 6B | 150 BPM | ||
| Pack Up Your Troubles / It's a Long Way to Tipperary | Robin Rose & Gang | A Minor | 5 | 8A | 120 BPM | ||
| Pack Up Your Troubles | Cast of Oh What A Lovely War, John Yap, Sophie Marchant | C Major | 9 | 8B | 164 BPM |