Where the Heart Is Pure (Version for Voice & Piano): III. Spring Poem in the Skagit Valley by Peter Scott Lewis, Christine Abraham, Keisuke Nakagoshi Song Details

"Where the Heart Is Pure (Version for Voice & Piano): III. Spring Poem in the Skagit Valley" by Peter Scott Lewis, Christine Abraham, Keisuke Nakagoshi had its release date on August 12, 2016. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Where the Heart Is Pure (Version for Voice & Piano): III. Spring Poem in the Skagit Valley's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Peter Scott Lewis: The Four Cycles". In this album, this song's track order is #3. Where the Heart Is Pure (Version for Voice & Piano): III. Spring Poem in the Skagit Valley is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Where the Heart Is Pure (Version for Voice & Piano): III. Spring Poem in the Skagit Valley by Peter Scott Lewis, Christine Abraham, Keisuke Nakagoshi having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Music Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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