Joel Frahm's 'Round Midnight #1' had a release date set for 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 10 in Don't Explain by Joel Frahm. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Round Midnight #1 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Round Midnight #1 by Joel Frahm is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Am I Blue | Midnight Minority | B♭ Minor | 1 | 3A | 77 BPM | ||
| Illusive | Central Park Quartet | E♭ Major | 2 | 5B | 84 BPM | ||
| Carry On | Andy Luma Trio | D Minor | 1 | 7A | 101 BPM | ||
| I Mind My Own Business | Jonah Anderson | A Minor | 2 | 8A | 50 BPM | ||
| Reflections of Idle Days | Hamilton Reed Quartet | A♭ Major | 1 | 4B | 96 BPM | ||
| I Lost My Mind | Yorkville | F Minor | 3 | 4A | 104 BPM | ||
| Million Dollar Mansions | Almost Here | B♭ Minor | 3 | 3A | 135 BPM | ||
| Portraits in Smoke | Étoile | C Minor | 2 | 5A | 129 BPM | ||
| Song for Hannah | Geoffrey Dean | F Minor | 3 | 4A | 116 BPM | ||
| Bluebell | da Suécia | D Minor | 1 | 7A | 112 BPM | ||
| Sleepy Eyes, Soft Sounds | Pause maybe? | G Major | 1 | 9B | 180 BPM | ||
| Reutlingen | Martin Hoper | C Major | 1 | 8B | 96 BPM | ||
| Finders Keepers | Vernon Sanders | C Minor | 1 | 5A | 101 BPM | ||
| Glasses Clinking Very Softly | James Miller | D♭ Major | 1 | 3B | 166 BPM | ||
| The Strength to Love | Samuel Torres, Joel Frahm, Luis Perdomo | F Minor | 6 | 4A | 110 BPM | ||
| All I Have Seen | Martin Landström | C Minor | 5 | 5A | 130 BPM | ||
| I haven’t seen an angel | Benjamine Leroy Quartet | B♭ Major | 0 | 6B | 58 BPM | ||
| Consequences | Martin Landström | F Minor | 2 | 4A | 119 BPM | ||
| Autumn Afternoons | Louis Carter | G Minor | 1 | 6A | 105 BPM | ||
| Beeline | Joel Frahm | D Major | 3 | 10B | 79 BPM | ||
| Loomie Nation | Joel Frahm | A♭ Major | 4 | 4B | 99 BPM | ||
| Echoes in the Alley | Ikigai | D Major | 1 | 10B | 115 BPM | ||
| A New Vernacular | Charlie Porter | F♯ Minor | 4 | 11A | 92 BPM | ||
| The Quiet Hustle | The 50th Floor | D Minor | 2 | 7A | 89 BPM | ||
| Slow Play | Ben Markley Quartet, Joel Frahm | D♭ Minor | 4 | 12A | 145 BPM |