"Trysting Fields" by Gidon Kremer had its release date on September 10, 2010. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 5 out of 12 in De Profundis by Gidon Kremer, Kremerata Baltica. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Trysting Fields is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trysting Fields by Gidon Kremer is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Absynthe Cocktail | Elena Kats-Chernin, Tamara Anna Cislowska | A♭ Major | 0 | 4B | 65 BPM | ||
| Pièces de Clavecin, Livre II, 6e ordre, Livre IV, 25e ordre: V. Les Ombres Errantes | François Couperin, Alexandre Tharaud | C Minor | 0 | 5A | 68 BPM | ||
| Pulsars, Pt. 2: Episode 5 | Tomasz Trzcinski | E Major | 1 | 12B | 107 BPM | ||
| Pärt: Fratres (1991 Version for String Orchestra and Percussion) | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 1 | 7B | 180 BPM | ||
| In A Landscape | John Cage, Francesco Tristano | D Minor | 0 | 7A | 78 BPM | ||
| Chant from a Holy Book, Var. 1 | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | C Major | 0 | 8B | 75 BPM | ||
| Behind Your Pearls | Elena Kats-Chernin, Tamara Anna Cislowska | A♭ Major | 1 | 4B | 163 BPM | ||
| Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
| Simplicity | Vassilis Tsabropoulos, Anja Lechner, U.T. Gandhi | A Minor | 0 | 8A | 69 BPM | ||
| Prélude, fugue & variation, Op. 18: I. Prélude | César Franck, Alice Ader, Ensemble Ader | B♭ Major | 0 | 6B | 168 BPM | ||
| Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM | ||
| Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
| El cant dels ocells (Version for Cello & String Quartet) | Pau Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | ||
| Fragment – Embers (From “Memoryhouse”) | Angèle Dubeau, La Pietà | B Minor | 1 | 10A | 69 BPM | ||
| Musica callada XXVIII / Impresiones intimas I | Federico Mompou, Anja Lechner, François Couturier | E Minor | 0 | 9A | 93 BPM | ||
| St. Matthew Passion in E Minor, Pt. 2, BWV 244: 39. Erbarme dich - Transcription for Harpsichord and Piano | Violaine Cochard, Edouard Ferlet | B Minor | 3 | 10A | 100 BPM | ||
| 6 Encores: No. 3, Wasserklavier | Luciano Berio, Hélène Grimaud | B♭ Minor | 0 | 3A | 81 BPM | ||
| Tango Etudes, 2 | Gidon Kremer | E Minor | 0 | 9A | 79 BPM | ||
| Tracing Astor | Leonid Desyatnikov, Gidon Kremer | A♭ Major | 1 | 4B | 90 BPM | ||
| Violin Concerto No. 2 - The American Four Seasons: Movement II | Philip Glass, Gidon Kremer, Kremerata Baltica | F Major | 0 | 7B | 88 BPM | ||
| Nocturne in B Major, Op. 40, B. 47 | Antonín Dvořák, Baltimore Symphony Orchestra, Marin Alsop | B Major | 0 | 1B | 85 BPM | ||
| Martynov: "Come in!", Movement IV | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 115 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Marina Tarasova, Musica Viva Chamber Orchestra, Alexander Rudin | C Major | 4 | 8B | 107 BPM |