Robin Mckelle's ' "Get Back Yesterday" was released on its scheduled release date, March 25, 2016. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "The Looking Glass". In this album, this song's track order is #10. Based on our statistics, Get Back Yesterday's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Get Back Yesterday by Robin Mckelle having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Big Time | Cæcilie Norby | G Major | 5 | 9B | 112 BPM | ||
| So Long, You Fool | Sophie Milman | G Major | 3 | 9B | 92 BPM | ||
| I’m Going Down | Jazzmeia Horn | D Major | 4 | 10B | 124 BPM | ||
| Almost True | Janet Evra, Randy Brecker | F Minor | 2 | 4A | 77 BPM | ||
| Power to Choose | Emilie Schiøtt | A Major | 5 | 11B | 152 BPM | ||
| Let's Call The Whole Thing Off | Stanislas, Robin Mckelle | A♭ Major | 3 | 4B | 94 BPM | ||
| Don't Lose Me | Sarah Lancman | B♭ Minor | 4 | 3A | 117 BPM | ||
| Don't Cry for No Hipster | Ben Sidran | F Minor | 3 | 4A | 100 BPM | ||
| Georgette | Leo Sidran | F Major | 3 | 7B | 110 BPM | ||
| Once I held a moon | Silje Nergaard | D Major | 3 | 10B | 126 BPM | ||
| Young & Naïve | Heather Rigdon | F♯ Minor | 2 | 11A | 108 BPM | ||
| Something In The Air Between Us | Sophie Milman | F Minor | 3 | 4A | 118 BPM | ||
| Little Black Train | Indra Rios-Moore | F Minor | 6 | 4A | 135 BPM | ||
| Do Nothing 'Til You Hear From Me | Molly Johnson | B♭ Major | 2 | 6B | 65 BPM | ||
| After You've Gone | Peter Appleyard, Emilie-Claire Barlow | D Major | 3 | 10B | 120 BPM | ||
| Close to You | Rigmor Gustafsson, Jacky Terrasson Trio | D♭ Major | 1 | 3B | 94 BPM | ||
| Star Eyes | Lyambiko | C Major | 4 | 8B | 136 BPM | ||
| fever | Bolandi Trio, Regina Heiß | B♭ Minor | 2 | 3A | 103 BPM | ||
| Teach Me Tonight | Erin Boheme | G Major | 2 | 9B | 75 BPM | ||
| When I Close My Eyes | Mary Stallings | D Major | 1 | 10B | 107 BPM | ||
| Paris Match | NYC Jazz Quartett | B Minor | 5 | 10A | 95 BPM | ||
| Take Love Easy | Sophie Milman | F Minor | 3 | 4A | 118 BPM | ||
| Bittersweet | Club des Belugas, Lene Riebau | G Minor | 3 | 6A | 73 BPM | ||
| Route 66 | Carol Welsman | F Minor | 3 | 4A | 137 BPM | ||
| Sequins on a Sunday Afternoon | Dannielle De Andrea | G Major | 3 | 9B | 84 BPM |