What is the BPM for ヴァイオリン・ソナタ二調作品11-2 Zweiter Teil by P. ヒンデミット, 桐山建志(ヴァイオリン), 小倉貴久子(ピアノ)?

The tempo for ヴァイオリン・ソナタ二調作品11-2 Zweiter Teil is 80 beats per a minute with a half-time of 40 BPM and a double-time of 160 BPM.

What is the music key for ヴァイオリン・ソナタ二調作品11-2 Zweiter Teil by P. ヒンデミット, 桐山建志(ヴァイオリン), 小倉貴久子(ピアノ)?

The music key for ヴァイオリン・ソナタ二調作品11-2 Zweiter Teil is F Major or a camelot key of 7B.

ヴァイオリン・ソナタ　二調　作品11-2　Zweiter Teil by P. ヒンデミット, 桐山建志(ヴァイオリン), 小倉貴久子(ピアノ) Song Details

"ヴァイオリン・ソナタ　二調　作品11-2　Zweiter Teil" by P. ヒンデミット, 桐山建志(ヴァイオリン), 小倉貴久子(ピアノ) had its release date on February 25, 2014. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. There is only one song in ヒンデミット:ヴァイオリン&ヴィオラソナタ集, so we believe that "ヴァイオリン・ソナタ　二調　作品11-2　Zweiter Teil" is a single. ヴァイオリン・ソナタ　二調　作品11-2　Zweiter Teil is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of ヴァイオリン・ソナタ　二調　作品11-2　Zweiter Teil by P. ヒンデミット, 桐山建志(ヴァイオリン), 小倉貴久子(ピアノ) is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Music Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.94 dB
Acousticness: 96%
Danceability: 8%
Energy: 6%
Instrumentalness: 73%
Liveness: 11%
Loudness: 60%
Speechiness: 5%
Valence: 4%

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