"The Journey" by Philippe Petit had its release date on January 17, 2020. This song is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The song is number 1 out of 7 in Do Humans Dream of Electronic Ships by Phillipe Petit. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The Journey is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Journey by Philippe Petit is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sart | Jan Garbarek, Bobo Stenson, Terje Rypdal, Arild Andersen, Jon Christensen | D Major | 2 | 10B | 117 BPM | ||
| Tide Pool | Oregon | B♭ Major | 3 | 6B | 142 BPM | ||
| Modul 12 | Nik Bärtsch | A♭ Major | 1 | 4B | 102 BPM | ||
| Emphasis | Jimmy Giuffre, Paul Bley, Steve Swallow | A Minor | 1 | 8A | 63 BPM | ||
| Dream Drugs | Philippe Petit, Lydia Lunch | G Major | 8 | 9B | 83 BPM | ||
| Beginning of the End | James Johnston, Philippe Petit | F♯ Minor | 3 | 11A | 85 BPM | ||
| Courtrais - Live | Jon Hassell | F Major | 0 | 7B | 123 BPM | ||
| Batterie | Paul Bley Trio | F Minor | 1 | 4A | 116 BPM | ||
| Die Fulci Nummer | Bohren & Der Club Of Gore | C Minor | 0 | 5A | 144 BPM | ||
| Ovaries - Radio Edit | Philippe Petit, Dagger Moth | A♭ Major | 6 | 4B | 101 BPM | ||
| The Unearthly | James Johnston, Philippe Petit | G Minor | 8 | 6A | 77 BPM | ||
| Aldebaranian | The Chitinous Ensemble | G Minor | 3 | 6A | 135 BPM | ||
| The Morning After | The Mount Fuji Doomjazz Corporation | A Major | 4 | 11B | 79 BPM | ||
| Blue Period | Jon Hassell | D Minor | 0 | 7A | 110 BPM | ||
| Improvised Music #1 | Bill Laswell, Sonny Sharrock, Derek Bailey, Fred Frith, John Zorn | B♭ Minor | 8 | 3A | 92 BPM | ||
| What Do You Want? | Bill Frisell | C Major | 0 | 8B | 69 BPM | ||
| Spirit World | Ivo Perelman, Matthew Shipp, Joe Morris | C Minor | 3 | 5A | 70 BPM | ||
| Mvt 3 Chapter 3 | Philippe Petit | F Major | 6 | 7B | 77 BPM | ||
| Bororo Dance | Henri Texier, Aldo Romano, Louis Sclavis | D♭ Minor | 6 | 12A | 114 BPM | ||
| Fiends Forever | Otro | D Major | 2 | 10B | 117 BPM | ||
| What Do You Know About Music, You're Not A Lawyer | John Lurie | B♭ Major | 2 | 6B | 129 BPM | ||
| Die Nahtanznummer, Teil 2 | Bohren & Der Club Of Gore | C Major | 0 | 8B | 82 BPM | ||
| Past Midnight | The Kilimanjaro Darkjazz Ensemble | D Minor | 2 | 7A | 86 BPM | ||
| 6.2 | Supersilent | C Minor | 2 | 5A | 110 BPM | ||
| Communion | Tord Gustavsen Quartet | E Minor | 0 | 9A | 135 BPM |