Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein Song Details

"Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto)" by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein had its release date on January 1, 1982. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 18 in Elgar: Enigma Variations by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein. Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 18%
Loudness: -40.649 dB
Acousticness: 97%
Danceability: 16%
Energy: 0%
Instrumentalness: 8%
Liveness: 8%
Loudness: 32%
Speechiness: 4%
Valence: 12%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Ein Heldenleben, Op. 40, TrV 190: Des Helden Widersacher (the Hero's Enemies) -	Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink	G Major	0	9B	84 BPM
Symphony No. 2 In D, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso	Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan	B Major	1	1B	108 BPM
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato -	Dmitri Shostakovich, André Previn, New York Philharmonic, Leonard Bernstein	D♭ Major	1	3B	168 BPM
Appalachian Spring: III. Moderato	Aaron Copland, Leonard Bernstein, New York Philharmonic	F♯ Major	0	2B	177 BPM
Scheherazade: Calm - the triumph of Scheherazade	Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim	E Minor	0	9A	68 BPM
Symphony No. 3 In D Minor / Part 1: 1. - Immer das gleiche Tempo - Live	Gustav Mahler, New York Philharmonic, Leonard Bernstein	A Minor	0	8A	107 BPM
Symphonie fantastique, H. 48: IV. Marche au supplice	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	2	6A	166 BPM
Vaughan Williams: Symphony No. 7 "Sinfonia Antartica": V. Epilogue. Alla marcia, moderato	Ralph Vaughan Williams, Andrew Davis, BBC Symphony Chorus, Patricia Rozario, BBC Symphony Orchestra	C Major	1	8B	109 BPM
4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Copland: Symphony No. 3: I. Molto moderato, with simple expression	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	A Major	1	11B	82 BPM
Fontane di Roma, P. 106: III. La fontana di Trevi al meriggio	Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli	G Minor	1	6A	105 BPM
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Symphony No. 2 "Resurrection": Ic. Schnell - Live	Gustav Mahler, New York Philharmonic, Leonard Bernstein	E♭ Minor	2	2A	64 BPM
Billy the Kid Suite: VIII. The Open Prairie Again	Aaron Copland, Leonard Bernstein, New York Philharmonic	C Minor	3	5A	72 BPM
Symphony No.1, Op.10: 4. Allegro molto - Lento - Allegro molto - Meno mosso - Allegro molto - Molto meno mosso - Adagio - Largo - Più mosso - Presto - Live	Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein	D♭ Major	1	3B	82 BPM
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato	Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim	E♭ Major	0	5B	56 BPM
Pelléas et Mélisande, Suite, Op. 46: VII. Mélisande at the Spinning Wheel	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	C Minor	0	5A	140 BPM
Miroirs, M. 43: I. Prélude à la nuit	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	D Minor	0	7A	107 BPM
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung	Gustav Mahler, Leonard Bernstein, New York Philharmonic	B Minor	0	10A	112 BPM
L'Arlésienne Suite No.1: Adagietto	Georges Bizet, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	112 BPM
Ein Heldenleben, Op. 40: IV. Des Helden Walstatt "Battle Scene"	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	E♭ Major	6	5B	70 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	174 BPM
2 Aquarelles: Gaily, but not quick	Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones	E Minor	2	9A	104 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Czech Suite, Op. 39: I. Preludium. Pastorale	Antonín Dvořák, Janáček Philharmonic Orchestra, Theodore Kuchar	F♯ Major	1	2B	86 BPM