Jimmy McCarthy's 'Kesh Jig' had a release date set for 2005. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jimmy McCarthy's "It Don't Get Any Better Then This" album is number 7 out of 7. Kesh Jig is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Kesh Jig by Jimmy McCarthy to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Whisky Before Breakfast | Jimmy McCarthy, David Buescher | D Major | 6 | 10B | 93 BPM | ||
| Sacred Places | Jimmy McCarthy | G Major | 3 | 9B | 114 BPM | ||
| One In A Very Blue Moon | Mary Black | F♯ Major | 2 | 2B | 84 BPM | ||
| Will You Go Lassie, Go | Cathy Maguire | C Major | 3 | 8B | 85 BPM | ||
| The Mountains of Mourne | Foster & Allen | A♭ Major | 2 | 4B | 118 BPM | ||
| The Secret of Living | A Woman's Heart | G Major | 8 | 9B | 184 BPM | ||
| If You Love Me | Maura O'Connell | E Major | 1 | 12B | 159 BPM | ||
| Gentle on My Mind | Luka Bloom | B♭ Major | 2 | 6B | 94 BPM | ||
| Across the Breeze | Luka Bloom | D Minor | 3 | 7A | 114 BPM | ||
| Farewell | Ronnie Drew, Eleanor Shanley | G Major | 3 | 9B | 78 BPM | ||
| Who Do You Think I Am | Sinéad Lohan | E♭ Major | 1 | 5B | 117 BPM | ||
| The Old Churchyard | Pauline Scanlon | C Major | 2 | 8B | 130 BPM | ||
| The Best Is Yet to Come | Clifford T. Ward | E Major | 2 | 12B | 176 BPM | ||
| Her Name Is Rose | Martyn Joseph | D Major | 2 | 10B | 100 BPM | ||
| No Frontiers | Mary Black | C Major | 2 | 8B | 127 BPM | ||
| Song for Kathryn (feat. Imelda May) | Christy Dignam, Imelda May | D Major | 2 | 10B | 94 BPM | ||
| Carrickfergus | The Barleycorn | D Major | 1 | 10B | 101 BPM | ||
| Shaney Boy | Kevin Johnson | F♯ Major | 1 | 2B | 83 BPM | ||
| West Coast of Clare | Andy Irvine, Lapd | D Minor | 3 | 7A | 139 BPM | ||
| The Milking Parlour Bar | The Whileaways | E Major | 4 | 12B | 98 BPM | ||
| Gleann Baile Chaoil | Karen Matheson | G Major | 1 | 9B | 174 BPM | ||
| Walk into the Morning | Ralph McTell | B Minor | 3 | 10A | 111 BPM | ||
| Wild Colonial Boy | Cathy Maguire | A Major | 3 | 11B | 180 BPM | ||
| The Parting Glass | Ger O'Donnell, Trevor Sexton | E Major | 2 | 12B | 123 BPM | ||
| We Come In The Wind | John Spillane | D Minor | 2 | 7A | 88 BPM |