On March 1, 2014, the song "Paras Gaye Bhoji Ne Vishthal" was released by Munna Saini, Parvati Rajput. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Munna Saini, Parvati Rajput's "Lala Hardol" album is number 7 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Paras Gaye Bhoji Ne Vishthal's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Paras Gaye Bhoji Ne Vishthal by Munna Saini, Parvati Rajput to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sang Radhe Ruslis Ka | Suryakant Shide, Vaishali Samant | E Minor | 7 | 9A | 92 BPM | ||
| Jaanta Raja | Milind Shinde | E♭ Minor | 7 | 2A | 76 BPM | ||
| Chali Putna Bhesh Badal Kar | Munna Saini, Parvati Rajput | A♭ Major | 8 | 4B | 111 BPM | ||
| Karle Ram Nu Tu Yaad Ik Baar Bandeya | Dhiraj Sharma | E♭ Minor | 6 | 2A | 173 BPM | ||
| Mera Aapki Kripa Se Sab Kaam Ho Raha Hai | Paras Jain | F♯ Major | 7 | 2B | 80 BPM | ||
| Radha Rani Ke Payaliya | Pawan Singh | B♭ Minor | 10 | 3A | 145 BPM | ||
| Laakh Dukhon Ki Ek Dawa | Lakhbir Singh Lakkha | B♭ Major | 7 | 6B | 89 BPM | ||
| Darsh Ki Are Bera Bhai Bundeli Lamtera Geet | Munna Saini, Beby Raja | D♭ Major | 7 | 3B | 169 BPM | ||
| Aavno Padela | Prakash Mali | A♭ Major | 7 | 4B | 92 BPM | ||
| Budti Suruj De Katek Wo Ujiyar | Mamta Chandrakar, Mithalesh, Kuleshwar Patel | B♭ Minor | 5 | 3A | 157 BPM | ||
| Kaise Jiyu Mein Radha Rani Tere Bina | Poonam Didi | F♯ Major | 8 | 2B | 115 BPM | ||
| Bansi Ki Dhun | Chitra Vichitra Ji Maharaj | A♭ Minor | 9 | 1A | 136 BPM | ||
| Radhe Radhe Japo Chale Aayenge | Arun Nagpal | B Major | 8 | 1B | 130 BPM | ||
| Ye Go Ye Maina | K.N.Krishnan, Vina Bamne | B♭ Minor | 5 | 3A | 90 BPM | ||
| Yeh Ladka Hai Allah | Jatin-Lalit, Udit Narayan, Alka Yagnik | B Minor | 9 | 10A | 104 BPM | ||
| Sharan Teri Sukh Paya | Sudhir Vyas | E♭ Minor | 5 | 2A | 95 BPM | ||
| Mane Jana Khatu Mein | Khatu Shyam | F Minor | 8 | 4A | 105 BPM | ||
| Naam Maha Ras Pio | Bhai Mehtab Singh Ji Jalandhar Wale | B♭ Minor | 8 | 3A | 120 BPM | ||
| Ekde Ek | Master Rana | F Minor | 6 | 4A | 92 BPM | ||
| Pijra Se Bhagal Suganwa | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Kavne Khotwa Mein Lukailu | Madan Rai | A♭ Major | 9 | 4B | 126 BPM | ||
| Dosh Mera Dyoun Ki | Satpal Dausa | D♭ Major | 6 | 3B | 95 BPM | ||
| Bag Me Ranuna Jad | Gopal Sadhu | A Minor | 9 | 8A | 93 BPM | ||
| Nainan Me Shyam Samaye Gayo | Manoj Sharma Gwalior | A Major | 8 | 11B | 136 BPM | ||
| Chalo Jatashankar Kho Chaliye | Munna Saini, Parvati Rajput | A♭ Major | 7 | 4B | 112 BPM |