Cello, Nadé's ' "Goin Psycho" was released on its scheduled release date, March 25, 2014. Goin Psycho is explicit and may not be suitable for children. With the duration being about 4:03, this song is close to the average duration of a typical track. There are a total of 14 in the song's album "Story 2 Tell". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Goin Psycho's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Goin Psycho by Cello, Nadé having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Claire De Lune | Laura Sullivan | D♭ Major | 1 | 3B | 72 BPM | ||
| Fantasien op. 116: Intermezzo: Adagio | Johannes Brahms, Martin Tchiba | E Major | 0 | 12B | 66 BPM | ||
| Lacrimosa From Requiem Mass In D Minor, K. 626 | Mozart Modern | D Minor | 3 | 7A | 120 BPM | ||
| Concerto pour piano et orchestre No. 21 en Ut majeur, K. 467: II. Andante | Wolfgang Amadeus Mozart, Camerata Salzburg, Stefan Vladar | F Major | 0 | 7B | 125 BPM | ||
| Houfnice | Wim Mertens | A Minor | 2 | 8A | 113 BPM | ||
| Momma's Prayer (feat. Cello) | Grandmasterphraze, Cello | A Major | 5 | 11B | 140 BPM | ||
| Waltz In E-Flat Major, Op. 18 | Krzysztof Jabłoński, Stanislav Bunin, Evelyne Dubourg, Jean-Marc Luisada, Yuval Fichman | A♭ Major | 1 | 4B | 83 BPM | ||
| Ich steh mit einem Fuß im Grabe, BWV 156: I. Sinfonia "Arioso" | Relaxation Study Music | G Major | 1 | 9B | 79 BPM | ||
| 비발디: 바이올린 협주곡 사계 중 '겨울' - Allegre B | 클래식 오디세이 | F Minor | 2 | 4A | 84 BPM | ||
| Lotus Flower | Emiliano Toso | D Minor | 0 | 7A | 176 BPM | ||
| Too Much | Cece Bke, Cello | G Minor | 6 | 6A | 160 BPM | ||
| Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM | ||
| Lord Prayer's (feat. Cello, Stackhouse & Sammie) | Pharze, Cello, Stackhouse, Sammie | F♯ Minor | 9 | 11A | 146 BPM | ||
| Walk Music Four | Henrik Schwarz, Emi Akiyama, Tokyo Secret Orchestra | F♯ Minor | 1 | 11A | 125 BPM | ||
| Problems | Cello | B♭ Minor | 7 | 3A | 75 BPM | ||
| Arioso Bwv 156 | Bach Consort | A♭ Major | 1 | 4B | 74 BPM | ||
| Dúo de las flores (Delibes) | Escolanía del Escorial & Lorenzo Ramos | B Major | 1 | 1B | 65 BPM | ||
| Pachelbel Canon | The Pachelbelles | D Major | 1 | 10B | 100 BPM | ||
| Music for Weather Elements: Sunrise on a Clear Day | Ezio Bosso | G Major | 1 | 9B | 94 BPM | ||
| Like I Told Ya | Cello, Lagutta | E Minor | 4 | 9A | 110 BPM | ||
| Earmarked | Wim Mertens | B Minor | 4 | 10A | 172 BPM | ||
| Inner Me (feat. Cello) | D-White, Cello | F Minor | 8 | 4A | 128 BPM | ||
| Oceano (432 Hz version) | Giorgio Costantini | G Minor | 2 | 6A | 166 BPM | ||
| Villa-Lobos: Bachianas Brasileiras No. 5 for Soprano and 8 Cellos, W. 389: I. Aria in A Minor (Cantilena. Adagio) | Heitor Villa-Lobos, Enrique Bátiz, Royal Philharmonic Orchestra | F Major | 1 | 7B | 104 BPM | ||
| Low | Armaniii FrmDa Chiii, Cello | A Minor | 4 | 8A | 132 BPM |