"Concerto Grosso In B Flat Major, Op. 6, No. 11: III. Adagio" by Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana had its release date on May 22, 1991. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 27 out of 35 in Concerto Grossos Op. 6, Nos. 7-12 by Arcangelo Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Concerto Grosso In B Flat Major, Op. 6, No. 11: III. Adagio is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto Grosso In B Flat Major, Op. 6, No. 11: III. Adagio by Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 5 Polonaisen Wq. 190: 5. Polonaise in D major | Carl Philipp Emanuel Bach, Ensemble Eduard Melkus, Eduard Melkus | G Minor | 1 | 6A | 154 BPM | ||
| Oboe Concerto in D minor - Allegro moderato | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 2 | 5A | 75 BPM | ||
| Symphony in C Major, Op. 2 No. 3 "The Chaplet": II. Vivace | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 3 | 8A | 115 BPM | ||
| Symphony in D Minor, Op. 2 No. 8 "Worcester Overture": III. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 115 BPM | ||
| Symphony No. 69 in A Major: III. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | F♯ Major | 1 | 2B | 170 BPM | ||
| Telemann: Concerto for Two Violins in B-Flat Major, TWV 52:B2: III. Adagio | Georg Philipp Telemann, Berliner Barock Solisten, Bernhard Forck, Rainer Kussmaul | G Major | 1 | 9B | 151 BPM | ||
| Purcell, D: 6 Sonatas or Solos: Flute Sonata No. 2 in D Minor: I. Adagio | Daniel Purcell, Jean-Pierre Rampal, Robert Veyron-Lacroix | F Major | 2 | 7B | 68 BPM | ||
| Concerto In Sol maggiore: Allegro | Modo Antiquo | F♯ Major | 1 | 2B | 111 BPM | ||
| Trumpet Concerto In B Flat Minor: Largo | Antonio Vivaldi, Capella Istropolitana | G Minor | 0 | 6A | 147 BPM | ||
| 5 Polonaisen Wq. 190: 1. Polonaise in D major | Carl Philipp Emanuel Bach, Ensemble Eduard Melkus, Eduard Melkus | G Minor | 1 | 6A | 154 BPM | ||
| Symphony No. 5 in C Major: I. Allegro non molto | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | B Minor | 1 | 10A | 100 BPM | ||
| Sinfonia to the oratorio Santa Beatrice d'Este in D Minor, WoO 1: III. Largo assai | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Minor | 1 | 12A | 62 BPM | ||
| Concerto Grosso In B Flat Major, Op. 6, No. 11: I. Preludio: Andante Largo | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
| Concerto in E minor for oboe, strings and basso continuo: IiI. Largo | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | E♭ Minor | 1 | 2A | 86 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 9: IV. Sarabanda. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 159 BPM | ||
| Symphony in B-Flat Major: I. Allegro | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | F Major | 4 | 7B | 126 BPM | ||
| Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": I. Andante - Spirituoso | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 88 BPM | ||
| Sinfonia in A Major: III. Presto assai | Giuseppe Sammartini, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 168 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 7 : III. Allegro | Arcangelo Corelli, Quido Holbling, Anna Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 1 | 10B | 134 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| Violin Sonata in E-flat Major: I. Allegretto | Franz Benda, Georg Kallweit, Berliner Barock Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
| Viola Concerto In G Major, TWV 51:g9: II. Allegro | Ladislav Kyselák, Capella Istropolitana, Georg Philipp Telemann | G Major | 3 | 9B | 108 BPM | ||
| King Arthur, or The British Worthy, Z.628: First Music: Chaconne | Henry Purcell, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 84 BPM | ||
| Flute Concerto No. 3 in C Major: II. Grave | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | C Minor | 1 | 5A | 65 BPM | ||
| Sonata en quator: III. Gravement | Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries | B Minor | 1 | 10A | 64 BPM |