"Psychic Waveforms" by Robert Lippok had its release date on May 18, 2018. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 9 out of 11 in Applied Autonomy by Robert Lippok. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Psychic Waveforms is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Psychic Waveforms by Robert Lippok is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Would I Be? What Would I Do? | Robert Lippok | D♭ Major | 2 | 3B | 77 BPM | ||
| Time Of Man | Biosphere | C Minor | 3 | 5A | 202 BPM | ||
| The Double Life Of A Seahorse | Pan-American, Kramer | C Major | 0 | 8B | 138 BPM | ||
| Open - 2024 Remaster | Robert Lippok | B♭ Minor | 9 | 3A | 115 BPM | ||
| I Thought I Could Fly | Patricia Wolf | D Major | 1 | 10B | 91 BPM | ||
| Dream VI | Bartosz Kruczyński | F♯ Minor | 2 | 11A | 178 BPM | ||
| Water Treatment Works | Warrington-Runcorn New Town Development Plan | D♭ Major | 2 | 3B | 77 BPM | ||
| Order | Jim Jarmusch, Anika | G Major | 1 | 9B | 173 BPM | ||
| Open, Pt. 2 | Robert Lippok | C Major | 4 | 8B | 106 BPM | ||
| Blush - Arp Remix | Glasser, Arp | D♭ Major | 2 | 3B | 77 BPM | ||
| Human - Robert Lippok Rework | Laura Masotto, Robert Lippok | G Major | 5 | 9B | 130 BPM | ||
| Distorted Of Love | Hasmor | A♭ Minor | 4 | 1A | 105 BPM | ||
| Geisterjäger | Barbara Morgenstern, Robert Lippok | C Major | 4 | 8B | 133 BPM | ||
| La tristesse insoutenable | Natasha Pirard | A♭ Major | 3 | 4B | 69 BPM | ||
| Weighted Room | K. Leimer | D♭ Major | 2 | 3B | 77 BPM | ||
| Tension | Bernard Carlson | D♭ Major | 1 | 3B | 120 BPM | ||
| Mirrors | Mike Majkowski | F Major | 0 | 7B | 144 BPM | ||
| Okt II | Girls in Airports, Halvcirkel | D Major | 4 | 10B | 140 BPM | ||
| Il Silenzio di Bekir | Iosonouncane | F Major | 3 | 7B | 60 BPM | ||
| Dernière visite | Natasha Pirard | D♭ Major | 1 | 3B | 72 BPM | ||
| Die Liebe - Robert Lippok Mix | Barbara Morgenstern, Robert Lippok | B Major | 5 | 1B | 99 BPM | ||
| Blue Rags, Raging Wind - Kelly Moran Remix | Disiniblud, Rachika Nayar, Nina Keith, Kelly Moran, Amigone | D♭ Minor | 4 | 12A | 92 BPM | ||
| With Tomorrow | Robert Lippok | C Major | 2 | 8B | 70 BPM | ||
| Allotment | Jesse Osborne-Lanthier, Robert Lippok | E Minor | 4 | 9A | 114 BPM | ||
| Ma Cherie | Richard Drapeaux | D♭ Major | 3 | 3B | 90 BPM |