"End Credits" by Michael Brook had its release date on November 6, 2015. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. End Credits's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 24 in Brooklyn (Original Score Soundtrack) by Michael Brook. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. End Credits is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of End Credits by Michael Brook is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| J'accuse | David Buckley | F Minor | 0 | 4A | 100 BPM | ||
| Rita Sue And Jonesy | Jeff Beal | E♭ Major | 1 | 5B | 83 BPM | ||
| The Hardest Job | Theodore Shapiro | C Major | 0 | 8B | 96 BPM | ||
| The Losing Side of History | Bear McCreary | E Minor | 1 | 9A | 102 BPM | ||
| Together Forever | Djivan Gasparyan, Michael Brook | F Major | 2 | 7B | 87 BPM | ||
| "What Are Our Odds?" | Alan Silvestri | C Major | 0 | 8B | 133 BPM | ||
| At Last | Martin Landh | C Major | 0 | 8B | 72 BPM | ||
| I Believe Her | Alan Silvestri | G Minor | 0 | 6A | 168 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Funeral Rites | Rob Lane, The Budapest Film Orchestra and Choir, Circle Percussion Ensemble, Peter Pejtsik | D♭ Major | 1 | 3B | 146 BPM | ||
| Ethel Main Title | Miriam Cutler | F Major | 1 | 7B | 120 BPM | ||
| Adore | Christopher Gordon | D♭ Major | 2 | 3B | 109 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| The Final Kiss | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Rebuilding / Cuffed / Goodbye Old Friend | John Ottman | G Minor | 0 | 6A | 79 BPM | ||
| Eliza's Theme | John Debney | D♭ Major | 2 | 3B | 160 BPM | ||
| Think - Edit | U. Srinivas, Michael Brook | C Minor | 2 | 5A | 81 BPM | ||
| Karen's Letter | Edward Shearmur | G Major | 0 | 9B | 65 BPM | ||
| A State Of Serenity | Maree Docia | F Major | 1 | 7B | 84 BPM | ||
| Hand on Knee | Andrew Lockington | D Major | 2 | 10B | 121 BPM | ||
| Up in the Clouds | BBC Concert Orchestra, Sarah Class | B♭ Major | 3 | 6B | 79 BPM | ||
| In The End | David Scoony | C Major | 0 | 8B | 71 BPM | ||
| Silence (From "The Thin Red Line" Soundtrack) | Hans Zimmer, Gavin Greenaway | F Major | 1 | 7B | 147 BPM | ||
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| Looking At You | Mark Mancina | D Major | 1 | 10B | 83 BPM |