On January 1, 1995, the song "Don't Be Angry" was released by Dale Watson. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 14 in Cheatin' Heart Attack by Dale Watson. In terms of popularity, Don't Be Angry is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Don't Be Angry by Dale Watson is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Carryin' on This Way | Dale Watson | D Major | 6 | 10B | 113 BPM | ||
| Down South in New Orleans | Buddy Miller, Jim Lauderdale | F Major | 7 | 7B | 92 BPM | ||
| Redneck Mother | Ray Wylie Hubbard | G Major | 5 | 9B | 77 BPM | ||
| London Homesick Blues (Home With the Armadillo) | Gary P. Nunn | G Major | 5 | 9B | 119 BPM | ||
| You're the Reason Our Kids Are Ugly | JP Harris, Nikki Lane | A Major | 7 | 11B | 86 BPM | ||
| Drinkin' Them Beers | Tompall & The Glaser Brothers | A Major | 4 | 11B | 75 BPM | ||
| The Only Thing She Left Me Was the Blues | Eleven Hundred Springs | E Major | 7 | 12B | 140 BPM | ||
| Deep Water | Carl Smith | F Major | 5 | 7B | 148 BPM | ||
| Two Six Packs Away | Dave Dudley | E Major | 9 | 12B | 145 BPM | ||
| Love's Little Lies | Weldon Henson | D Major | 6 | 10B | 165 BPM | ||
| Southern Eyes | Joe Ely | E Major | 9 | 12B | 130 BPM | ||
| Who, What, Where, When, How, Why | Martin Delray | B Major | 6 | 1B | 106 BPM | ||
| New Old Story | Bastard Sons of Johnny Cash | F Major | 9 | 7B | 98 BPM | ||
| Juke Joint Jumping | Wayne Hancock | A Major | 4 | 11B | 164 BPM | ||
| We’re Gonna Honky Tonk Tonight | Jason James | C Major | 6 | 8B | 146 BPM | ||
| Close All the Honky Tonks | Charlie Walker | A Major | 4 | 11B | 163 BPM | ||
| Drinkin' Mood | Jake Penrod | G Major | 6 | 9B | 111 BPM | ||
| Watermelon Time In Georgia | Vernon Oxford | F Major | 5 | 7B | 129 BPM | ||
| Dreams Of A Dreamer | Darrell McCall | F Major | 5 | 7B | 111 BPM | ||
| Skinny Elvis | Sam Morrow, Jaime Wyatt | A Major | 9 | 11B | 123 BPM | ||
| It's Hard To Kiss The Lips At Night That Chew Your Ass Out All Day Long | The Notorious Cherry Bombs | F Major | 5 | 7B | 97 BPM | ||
| Stay Outta My Dreams | Kenny Vaughan | A Major | 8 | 11B | 103 BPM | ||
| I Wouldn't Tell You No Lie | The Tractors | G Major | 8 | 9B | 170 BPM | ||
| Knee Deep in the Wakarusa River | Chuck Mead | A Major | 7 | 11B | 120 BPM | ||
| Banks Of The Brazos | James Hand | E Minor | 8 | 9A | 139 BPM |