- BPM
- 75
- Key
- G Minor
- Camelot
- 6A
Everything seems so unreal by John Scott Song Details
"Everything seems so unreal" by John Scott had its release date on December 2, 2016. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Everything seems so unreal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Satan's Slave (The Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Everything seems so unreal is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Everything seems so unreal by John Scott having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -14.43 dB
- Acousticness
- 57%
- Danceability
- 20%
- Energy
- 36%
- Instrumentalness
- 16%
- Liveness
- 48%
- Loudness
- 76%
- Speechiness
- 7%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM | |
 | Christe, qui lux es et dies: Christe, qui lux es et dies | William Byrd, Stile Antico | G Minor | 0 | 6A | 86 BPM | |
 | Last Office of Night | Night Monastery | E Major | 3 | 12B | 74 BPM | |
 | A Gaelic Blessing | John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble | E Major | 1 | 12B | 84 BPM | |
 | Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod (Arr. D. Bishop for Organ) | Edward Elgar, Daniel Bishop | G Minor | 1 | 6A | 104 BPM | |
 | All-night Vigil, Op. 44: Svete tihiy | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Minor | 1 | 7A | 78 BPM | |
 | Idyll | Graham Twist, James Flores | G Major | 0 | 9B | 131 BPM | |
 | Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | |
 | Here is the Man | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 3 | 4A | 138 BPM | |
 | Abide with Me | William Henry Monk, Norwich Cathedral Choir, Simon Johnson, Neil Taylor | F Major | 2 | 7B | 79 BPM | |
 | Psalm 46 "Deus noster refugium" | Martin Luther, St. Paul's Cathedral Choir, John Scott, Andrew Lucas | B♭ Major | 1 | 6B | 75 BPM | |
 | Adoro Te Devote (Jesus, I Adore Thee) | Stephen Caracciolo, Cathedra, Michael McCarthy | C Minor | 1 | 5A | 91 BPM | |
| Psalm 40 "Exspectans exspectavi" | Basil Harwood, St. Paul's Cathedral Choir, John Scott, Andrew Lucas | B♭ Major | 1 | 6B | 75 BPM | |
 | As Joseph Was a-Walking | Margaret Rizza, Kevin Mayhew Ltd | D Minor | 1 | 7A | 99 BPM | |
 | Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | |
 | Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | |
 | Gloucester Service: II. Nunc dimittis | Herbert Howells, The Choir Of Trinity College, Cambridge, Stephen Layton | C Minor | 2 | 5A | 87 BPM | |
 | The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | |
 | Illumina le tenebre | Joan Szymko, Oregon Repertory Singers, Ethan Sperry | A Major | 0 | 11B | 70 BPM | |
| Psalm 119: Verses 1-8 "Beati immaculati" | Kellow John Pye, Huw Williams, John Scott, St. Paul's Cathedral Choir | E♭ Major | 1 | 5B | 108 BPM | |
 | Praise My Soul the King of Heaven | John Goss, St Edmundsbury Cathedral Choir, Scott Farrell, Mervyn Cousins | G Minor | 1 | 6A | 66 BPM | |
 | Three Songs of Faith: I. hope, faith, life, love.... | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | |
 | In Exitu Israel "Psalm 114" | Edward Bairstow, St. Paul's Cathedral Choir, John Scott, Andrew Lucas | G Major | 2 | 9B | 92 BPM | |
 | Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | |
 | Inventions for Choir & Piano: No. 1, The Silence Moves | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | F Major | 2 | 7B | 89 BPM |
- ISRC
- GBJX34216007
- Label
- L-M Records/RCA Records