Blood Has Been Shed's 'Signs And Omens' had a release date set for 2001. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Novella Or Uriel". In this album, this song's track order is #7. Signs And Omens is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Signs And Omens by Blood Has Been Shed having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faction | Candiria | C Major | 9 | 8B | 157 BPM | ||
| Columbian Neck Tie | American Me | F♯ Major | 10 | 2B | 129 BPM | ||
| Venus Complex | Twelve Tribes | F Minor | 9 | 4A | 162 BPM | ||
| 12/23/93 | Poison The Well | D Minor | 8 | 7A | 85 BPM | ||
| Smoke Breaks | The Bled | B♭ Major | 10 | 6B | 103 BPM | ||
| Go Greyhound | The Tony Danza Tapdance Extravaganza | B♭ Minor | 10 | 3A | 133 BPM | ||
| Kiss or Kill | Himsa | A Major | 10 | 11B | 137 BPM | ||
| Don Knotts | Burnt By The Sun | A♭ Major | 9 | 4B | 153 BPM | ||
| Dead Man's Bride | Ligeia | C Major | 9 | 8B | 131 BPM | ||
| Here's Lookin' At You | Every Time I Die | F♯ Minor | 10 | 11A | 94 BPM | ||
| Before There Was Atlanta, There Was Douglasville | The Chariot | F Minor | 7 | 4A | 75 BPM | ||
| The End of the World | God Forbid | G Major | 10 | 9B | 90 BPM | ||
| Surreal Atrocites | A Life Once Lost | D Major | 10 | 10B | 145 BPM | ||
| A Tool To Scream | Zao | G Minor | 7 | 6A | 120 BPM | ||
| One Hell of a Prize Fighter | Eighteen Visions | G Major | 10 | 9B | 90 BPM | ||
| Two And Twenty Misfortunes | Shai Hulud | F Minor | 9 | 4A | 143 BPM | ||
| Fearfully and Wonderfully Made | Glass Casket | D Major | 9 | 10B | 130 BPM | ||
| Ending The Perpetual Tragedy | Shai Hulud | E♭ Minor | 9 | 2A | 126 BPM | ||
| Good Night My Lady, And A Forever Farewell | The Chariot | D Minor | 8 | 7A | 79 BPM | ||
| Zombies Are Good for Your Health | Poison The Well | F Minor | 10 | 4A | 132 BPM | ||
| Torn Self | Dead To Fall | B Major | 9 | 1B | 200 BPM | ||
| Trashcanheads (Keyboard Cowards) | Zao | D♭ Major | 8 | 3B | 78 BPM | ||
| Something Was Always Missing, but It Was Never You | Misery Signals | F Major | 8 | 7B | 122 BPM | ||
| Tongue In Teeth | On Broken Wings | G Major | 9 | 9B | 155 BPM | ||
| Crystal Lake | Poison The Well | G Major | 10 | 9B | 153 BPM |