On June 16, 2025, the song "Barsane Aa Jaiyo" was released by Prakash Rutha. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Prakash Rutha's "Holi Khel Rahe Nandlal" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. In terms of popularity, Barsane Aa Jaiyo is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Barsane Aa Jaiyo by Prakash Rutha to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bewafa Ko Dil Deke Kya Wafa Nibhaoge | Brijesh Shastri | A Major | 9 | 11B | 111 BPM | ||
| Photudo Khichaido | Champe Khan | F♯ Major | 7 | 2B | 195 BPM | ||
| Baba Ekar To Darbar Mein Bula Lijiye | Rafiq Sagar | F♯ Major | 9 | 2B | 98 BPM | ||
| Raja Mordhwaj Ki Jeevni, Pt. 5 | Ramniwas Rao | D♭ Major | 8 | 3B | 133 BPM | ||
| Thari Ghani Karu Manvar | Rajkumar Swami | D Major | 6 | 10B | 178 BPM | ||
| Madine Aaye Huye Hain | Gulam Sabir, Gulam Waris | D♭ Major | 7 | 3B | 92 BPM | ||
| राधा रमण हरि गोविंद बोलो | Prakash Das Ji Maharaj | B♭ Minor | 9 | 3A | 112 BPM | ||
| Guru Vandana | Anil Nagori | E♭ Minor | 9 | 2A | 90 BPM | ||
| Gulab Jamun Bhail Ba Gaal | Ravina Raj, Sudhir Lal Yadav | A Minor | 9 | 8A | 73 BPM | ||
| Ram Ji Mil Jave | Prakash Mali | F Minor | 8 | 4A | 91 BPM | ||
| ढोला जी री कुरजा | Gero Choudhary | B Major | 8 | 1B | 81 BPM | ||
| Mat Kare Baat Punjabi Mein | Tarun Baliyan | F♯ Minor | 10 | 11A | 158 BPM | ||
| Bajra Hum Na khaibe More Raja Bundeli | Malti Singh Parmar, Deshraj Patairiya | F Minor | 6 | 4A | 149 BPM | ||
| Ram Bina Koi Dham Nahi | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | A♭ Major | 7 | 4B | 89 BPM | ||
| Jay Jay Gava Jasnath Ji Re Sharne | Prakash Mali | C Minor | 8 | 5A | 97 BPM | ||
| Mai Toh Purabiyo Purab Desh Ro | Sant Bhajana Nand | A♭ Major | 8 | 4B | 94 BPM | ||
| Babe Re Darbar Me Baje Maar Ghama Gham | Rafiq Sagar | G Major | 8 | 9B | 116 BPM | ||
| Kavita Likhein Hazaar Tumaai | Deshraj Patairiya | E♭ Major | 7 | 5B | 159 BPM | ||
| Bai Nanand Ra Veer | Shyam Paliwal | C Major | 8 | 8B | 85 BPM | ||
| Mai Hala Hala Ke Hari | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 151 BPM | ||
| Pani Pathara na Gale | Halke Ram Kushwah | A♭ Major | 9 | 4B | 104 BPM | ||
| Kun To Laya Tumda | Sunita Swami | D♭ Major | 8 | 3B | 125 BPM | ||
| Kati Kate Na Suni Ratiya | JaiSingh Raja, Rani Kushwaha | F♯ Minor | 3 | 11A | 129 BPM | ||
| Kis Karan Se Preetam Pyare | Brajesh Shastri | C Major | 8 | 8B | 95 BPM | ||
| Pati Hai Mero Neech Gawar | Brijesh Shastri | B Major | 6 | 1B | 103 BPM |