Tom Waits's ' "Hold On" was released on its scheduled release date, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Storytellers". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Hold On's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Hold On by Tom Waits having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Way It Goes | Gillian Welch | F Minor | 4 | 4A | 98 BPM | ||
| The Saddest Song | Morphine | B Minor | 4 | 10A | 173 BPM | ||
| In the Pines | Lead Belly | F Major | 2 | 7B | 144 BPM | ||
| Bird on the Wire | Leonard Cohen | A Major | 0 | 11B | 129 BPM | ||
| I'm a Mess | Nick Lowe | D♭ Major | 7 | 3B | 176 BPM | ||
| Eggs And Sausage (In A Cadillac With Susan Michelson) | Tom Waits | D Minor | 5 | 7A | 117 BPM | ||
| Death of a Salesman | Low | D Major | 1 | 10B | 82 BPM | ||
| 30 Century Man | Scott Walker | B Minor | 1 | 10A | 86 BPM | ||
| Dark Was the Night, Cold Was the Ground | Blind Willie Johnson | A Major | 0 | 11B | 116 BPM | ||
| A Night In | Tindersticks | D Major | 2 | 10B | 140 BPM | ||
| There Would Be Hell to Pay | T Bone Burnett | A Minor | 5 | 8A | 96 BPM | ||
| The Ghost of Tom Joad | Bruce Springsteen | B Minor | 1 | 10A | 88 BPM | ||
| Talkin' Lion Blues | C.W. Stoneking | C Major | 2 | 8B | 95 BPM | ||
| The Night | Morphine | D♭ Major | 3 | 3B | 92 BPM | ||
| The Daily Growl | Lambchop | E Major | 1 | 12B | 72 BPM | ||
| Hello It's Me | Lou Reed, John Cale | A Major | 2 | 11B | 90 BPM | ||
| Streets of Arklow | Van Morrison | C Major | 1 | 8B | 67 BPM | ||
| Angel from Montgomery | John Prine | C Major | 4 | 8B | 132 BPM | ||
| Hello in There | John Prine | C Major | 3 | 8B | 135 BPM | ||
| It Hurts Me Too | Karen Dalton | A Major | 1 | 11B | 181 BPM | ||
| Venus In Furs | The Velvet Underground, Nico | G Major | 6 | 9B | 124 BPM | ||
| Housebound Blues | C.W. Stoneking | F Minor | 3 | 4A | 83 BPM | ||
| Paris, Texas | Ry Cooder | G Major | 0 | 9B | 129 BPM | ||
| Tower Of Song | Martha Wainwright | A Major | 3 | 11B | 137 BPM | ||
| Our Anniversary | Smog | F♯ Major | 5 | 2B | 95 BPM |