"Always Here Tonight" by Gill Landry had its release date on June 7, 2024. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 10 in Cinnamon Canyon Blues by Gill Landry. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. In terms of popularity, Always Here Tonight is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Always Here Tonight by Gill Landry is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Will Tear Us Apart | Bud Rokesky | C Major | 2 | 8B | 90 BPM | ||
| Savannah Blues | Malcolm Holcombe | B♭ Major | 6 | 6B | 181 BPM | ||
| I Love You Too | Gill Landry | C Minor | 4 | 5A | 105 BPM | ||
| Amber Thatch Evening | Raimyzzo | D♭ Major | 6 | 3B | 145 BPM | ||
| Pop's Song | Gasoline Lollipops | F Major | 6 | 7B | 138 BPM | ||
| Draw the Line (OurVinyl Sessions) | Jeffrey Martin, OurVinyl | E♭ Major | 3 | 5B | 139 BPM | ||
| No Expectations | Sophie Kyle Collins, Tim Cole | E Major | 2 | 12B | 53 BPM | ||
| Ghost Song | Jim White, Trey Blake | A Minor | 4 | 8A | 73 BPM | ||
| Thought It Over And I Think You Should Move On | Aistis | A♭ Major | 5 | 4B | 84 BPM | ||
| Golden Boy | Cole Panther | F Minor | 4 | 4A | 93 BPM | ||
| Detour | Kris Delmhorst, Jeffrey Foucault | D Major | 2 | 10B | 92 BPM | ||
| Tiny Rebellions | The Lowest Pair | A♭ Major | 2 | 4B | 127 BPM | ||
| Sunday Night School Blues | Pilgrims, Paul Noonan, Brian Crosby | A♭ Major | 2 | 4B | 127 BPM | ||
| It Won’t Hurt Soon (But It Sure Hurts Now) | Luke Elliot, Dylan LeBlanc | D Major | 5 | 10B | 88 BPM | ||
| Do Not Disturb Me | David Ramirez | D Major | 1 | 10B | 165 BPM | ||
| Stars in the Crown | Josh Ritter | D Major | 1 | 10B | 118 BPM | ||
| The Only Thing Worth Fighting For | Lera Lynn | E♭ Major | 8 | 5B | 129 BPM | ||
| On the River | Troy Chapman | C Major | 2 | 8B | 72 BPM | ||
| Sex, Death, & Choices | William Crighton | E Major | 4 | 12B | 114 BPM | ||
| Florence Is the River | Chip Taylor | A♭ Major | 1 | 4B | 132 BPM | ||
| Foxglove Veil | Raimyzzo | D♭ Major | 6 | 3B | 145 BPM | ||
| After All | Caitlin Canty | A Major | 3 | 11B | 76 BPM | ||
| Waiting for the Bricks to Fall - Alt.version | Midnight Choir, Al DeLoner | E Major | 4 | 12B | 96 BPM | ||
| Go and Leave me | The Deadlians | C Major | 4 | 8B | 118 BPM | ||
| Long Midnight | Joe Pug | C Major | 3 | 8B | 86 BPM |