On 2005, the song "Na Miss Call" was released by Gora Chak Wala, Sudesh Kumari. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 10 out of 10 in Din Kiven Guzarenga by Gora Chak Wala, Sudesh Kumari. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Na Miss Call's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Na Miss Call by Gora Chak Wala, Sudesh Kumari is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ikko Jot Chon Uppje Sare | Harjit Singh Harman | D♭ Major | 7 | 3B | 87 BPM | ||
| Vatt Te | Ranjit Mani | B♭ Minor | 10 | 3A | 82 BPM | ||
| Dus Din Peke | Surjit Bhular | F♯ Major | 9 | 2B | 125 BPM | ||
| Poonian | Maninder Manga | D Major | 7 | 10B | 82 BPM | ||
| 40 KILLE | Manmohan Sidhu, Sukhbir Sandhu | D♭ Minor | 9 | 12A | 126 BPM | ||
| Landu Jiha Sapahi | Hakam Bakhtarwala, Daljeet Kaur | A♭ Minor | 9 | 1A | 169 BPM | ||
| Chhave Murka Aave Boliyan | Gora Chak Wala | B Minor | 8 | 10A | 125 BPM | ||
| Rull Gaye Parande Doriya | Veer Dawinder | B♭ Major | 7 | 6B | 132 BPM | ||
| Jaal | Anmol Virk | F Minor | 10 | 4A | 188 BPM | ||
| Pink Suit | Gora Chak Wala, Sudesh Kumari | D♭ Minor | 9 | 12A | 109 BPM | ||
| Driver - Punjabi | Sudesh Kumari | B Minor | 9 | 10A | 116 BPM | ||
| Tera Naa 2 | Madan Maddi | B Major | 8 | 1B | 124 BPM | ||
| Mutteaar | Debi Makhsoospuri | E Minor | 9 | 9A | 76 BPM | ||
| Daaru Naal Rajjeya Rehnae | Amrik Toofan, Harjit Matoo | D♭ Major | 6 | 3B | 102 BPM | ||
| Lai Ja Mainu Nal Jijeya | Sarif Dildar | A Minor | 8 | 8A | 93 BPM | ||
| Reshmi Rumaal Nalo Sohna | Major Rajasthani, Surpreet Soni | B♭ Minor | 7 | 3A | 168 BPM | ||
| Bhabi Tu Ni Jandi | Avtar Chamak, Amanjot | A Major | 7 | 11B | 100 BPM | ||
| Pabandi | Karamjit Anmol, Sudesh Kumari | B Minor | 7 | 10A | 140 BPM | ||
| Na Na Na Mutiyare | Kulwinder Dhillon | B♭ Minor | 9 | 3A | 97 BPM | ||
| Ishq Mohabbat Yaari | Jaswinder Brar | F♯ Minor | 6 | 11A | 169 BPM | ||
| Yaaran De Group | Karamjit Anmol | E♭ Minor | 8 | 2A | 176 BPM | ||
| Dayugi Pruf Dikha Mitra | Bagga Safri, Kiran Jyoti | D♭ Major | 6 | 3B | 100 BPM | ||
| Geran Kol | Amrita Virk | A♭ Major | 7 | 4B | 136 BPM | ||
| Gallvakrhi | Satwinder Bitti | F♯ Minor | 6 | 11A | 148 BPM | ||
| Tere To Bagair | Gurpal Mutiar | B Major | 8 | 1B | 112 BPM |