Case Oats's 'Buick Door' had a release date set for August 22, 2025. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Case Oats's "Last Missouri Exit" album is number 1 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Buick Door is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Buick Door by Case Oats to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phish Pepsi | Wednesday | B♭ Major | 2 | 6B | 140 BPM | ||
| Don't Cave | Ben Kweller | G Major | 5 | 9B | 162 BPM | ||
| Any Given Afternoon | Clean Cut Kid | A Major | 6 | 11B | 125 BPM | ||
| Dead End Pools | Jesse Sykes & The Sweet Hereafter | D♭ Minor | 4 | 12A | 111 BPM | ||
| Seed | Julianna Riolino | A Major | 7 | 11B | 124 BPM | ||
| The Ones | The Autumn Defense | A Major | 7 | 11B | 107 BPM | ||
| She Belongs to Me | James Austin Johnson | A Major | 4 | 11B | 115 BPM | ||
| Final Frontier | Cory Hanson | D Major | 2 | 10B | 83 BPM | ||
| Choices | Fust, Merce Lemon | D Major | 5 | 10B | 135 BPM | ||
| Bad Miracles | Cory Hanson | D Major | 2 | 10B | 85 BPM | ||
| Satellite | S.G. Goodman | C Major | 3 | 8B | 143 BPM | ||
| Two Little Pigs | Jens Lekman, Matilda Sargren | B Major | 6 | 1B | 93 BPM | ||
| Highway Man | The New Eves | E Major | 7 | 12B | 77 BPM | ||
| Far Off Places | Brown Horse | B♭ Major | 6 | 6B | 104 BPM | ||
| No Kings (No Crown) | Paul Metsa, Alan Sparhawk | A♭ Minor | 4 | 1A | 150 BPM | ||
| Blood on the Tea Leaves | Jay Farrar, Shannon McNally | A Minor | 3 | 8A | 132 BPM | ||
| Judas | The Saints | C Major | 5 | 8B | 96 BPM | ||
| Heaven | Whitney K | D Major | 7 | 10B | 138 BPM | ||
| I Need A Friend | Colin Miller | F♯ Minor | 5 | 11A | 86 BPM | ||
| Terminal Way | Bill Fox | A Major | 6 | 11B | 114 BPM | ||
| If You Were To Ask | SunYears, de clair., Peter Morén | A Minor | 5 | 8A | 119 BPM | ||
| Scars - ft. Dean Johnson | Esther Rose | F Major | 6 | 7B | 155 BPM | ||
| Something Strange | Whitney K | D Major | 7 | 10B | 138 BPM | ||
| Falling Dream | The Telephone Numbers | E♭ Major | 8 | 5B | 133 BPM | ||
| Muscle Car | Scott Lavene | D Major | 6 | 10B | 132 BPM |