Rameshwar Pathak's ' "Dum Dum Dambaroo" was released on its scheduled release date, August 15, 2009. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rameshwar Pathak's "Kaliya Kanai" album is number 3 out of 9. On top of that, India appears to be the country where this track was created. Dum Dum Dambaroo is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Dum Dum Dambaroo by Rameshwar Pathak to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Ekaldi Mat Chhodo Sa | Seema Mishra | F♯ Minor | 6 | 11A | 135 BPM | ||
| Tham Tani Moray De | Satish Das | F Major | 2 | 7B | 118 BPM | ||
| Adma Ga Purala Pahu Balu Ga Mamala | Vijay Sartape | F♯ Major | 7 | 2B | 202 BPM | ||
| Tumi Bharat Mata | Gostho Gopal Das | D♭ Major | 4 | 3B | 131 BPM | ||
| Have Mara Vhala Ne | Harikrishna Patel | A Minor | 5 | 8A | 150 BPM | ||
| Trishulavari Kashipuri Chakravarti Pandhari Aabhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Jagate Ananda Yogge | Mita Chatterjee, Rabindranath Tagore | C Major | 2 | 8B | 122 BPM | ||
| Brindabone Rai Samer | Amar Pal | D♭ Major | 4 | 3B | 125 BPM | ||
| Padhao Re Popat | Ashit Desai & Group | F Major | 4 | 7B | 157 BPM | ||
| Jogotore Hori | Manash Bhagawati | C Major | 5 | 8B | 142 BPM | ||
| Tomar Ek Naamete | Anup Ghoshal | D♭ Minor | 2 | 12A | 119 BPM | ||
| Balumamachya Darshanala | Shakuntala Jadhav | D Major | 6 | 10B | 79 BPM | ||
| Bhule Man Samajh Ke | Madan Gopal | F♯ Major | 4 | 2B | 130 BPM | ||
| Pahun Tula Mazya Fula | Yuvraj Pradhan | A♭ Minor | 7 | 1A | 100 BPM | ||
| Maa Achen Aar Ami Achhi | Mahesh Ranjan Shome | G Major | 5 | 9B | 88 BPM | ||
| Jai Jai Vigneshwara | Naarsingi Narsing Rao | E Minor | 7 | 9A | 98 BPM | ||
| Maro Char Paida No Rath | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Babu Ami Gayer Chhele | Sanajit Mondal | A♭ Major | 5 | 4B | 99 BPM | ||
| Jagat Bidit Baidyanath | Vishwanath Mishra | B♭ Major | 3 | 6B | 98 BPM | ||
| Hu Lu Lu Lu Hala Re Hala-Pure Traditional Lullaby | Pari Patadia, Khushi Jadeja | D♭ Major | 3 | 3B | 111 BPM | ||
| Brindabone Maje Aji | Rameshwar Pathak, Dhanda Pathak | A Minor | 3 | 8A | 111 BPM | ||
| Hare Krishna Vol 3 Part 1 - Original | Bitu Samajpati, NA | D Major | 5 | 10B | 127 BPM | ||
| Ambe Maa Stuti | Gayatri Upadhyay | C Minor | 5 | 5A | 118 BPM | ||
| O Maa Tara Bosna Kache | Raghab Chattopadhyay | F♯ Major | 5 | 2B | 145 BPM |