New Model Army's ' "Eyes Get Used to the Darkness" was released on its scheduled release date, August 26, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Winter by New Model Army. The song's track number on the album is #5 out of 13 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Eyes Get Used to the Darkness is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Eyes Get Used to the Darkness by New Model Army has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Eyes Get Used to the Darkness being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Death Reflects Us | Beastmilk | F Major | 6 | 7B | 123 BPM | ||
| Heo | The Bates | E Major | 5 | 12B | 107 BPM | ||
| Echoes | Nathan Gray | B Minor | 6 | 10A | 124 BPM | ||
| Kingdom | HUMANIST, Mark Lanegan | F Minor | 9 | 4A | 102 BPM | ||
| Sol Invictus | Faith No More | B♭ Major | 5 | 6B | 129 BPM | ||
| Endless Time to See | The Beauty of Gemina | D Major | 8 | 10B | 120 BPM | ||
| Lights Go Out | VNV Nation | E Minor | 9 | 9A | 135 BPM | ||
| Birth, School, Work, Death | The Godfathers | A Major | 8 | 11B | 121 BPM | ||
| The War Against Sleep | The Cassandra Complex | A♭ Major | 8 | 4B | 120 BPM | ||
| In Her Darkest Hour | DOOL | C Minor | 5 | 5A | 91 BPM | ||
| Crossroads | The Beauty of Gemina | A Minor | 9 | 8A | 150 BPM | ||
| 40 Days | The Exploding Boy | G Major | 8 | 9B | 170 BPM | ||
| The Charge | New Model Army | B Minor | 9 | 10A | 139 BPM | ||
| Turn No More | Public Service Broadcasting, James Dean Bradfield | G Minor | 8 | 6A | 117 BPM | ||
| Deserters | New Model Army | A Major | 8 | 11B | 120 BPM | ||
| Bloodsport for All - 2012 Remaster | Carter The Unstoppable Sex Machine | D Major | 9 | 10B | 134 BPM | ||
| The Weather | New Model Army | D Major | 9 | 10B | 140 BPM | ||
| Paddy | The Inchtabokatables | A Minor | 9 | 8A | 143 BPM | ||
| Stop It You're Killing Me | Therapy? | A Major | 10 | 11B | 166 BPM | ||
| Meine Fremde Seele | Anne Clark, herrB | A♭ Major | 7 | 4B | 116 BPM | ||
| London | The Exploding Boy | C Major | 5 | 8B | 132 BPM | ||
| Inside | Ray Wilson | E Minor | 9 | 9A | 176 BPM | ||
| Carrying My Name | Kellermensch | C Major | 9 | 8B | 170 BPM | ||
| Isle of Dogs | Gang Of Four | G Major | 10 | 9B | 122 BPM | ||
| Weak and Strong | New Model Army | B♭ Minor | 7 | 3A | 83 BPM |