Rajkot Gurukul's ' "Bhaktachintamani Prakaran 10" was released on its scheduled release date, June 1, 2006. This song appears to be safe for all ages as it is not explicit. The song is number 10 out of 10 in Bhaktachintamani Prakaran 1 to 10 by Rajkot Gurukul. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Bhaktachintamani Prakaran 10 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bhaktachintamani Prakaran 10 by Rajkot Gurukul is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saanson Ki Mala Mein | Rishi Nityapragya | D♭ Minor | 6 | 12A | 81 BPM | ||
| Rahiman Rahiman Ram Rahim | Sri Sathya Sai | B♭ Major | 7 | 6B | 103 BPM | ||
| Re Ho Re Madi | Appu | A♭ Major | 6 | 4B | 93 BPM | ||
| Om Namah Shivaya Harmonies with Divine Flute n Bells n Heavenly Sounds | Vishal Khera | B♭ Major | 8 | 6B | 98 BPM | ||
| Kemre Bhuliy Swami Upkar Apna | Swaminarayan Aksharpith | C Minor | 4 | 5A | 104 BPM | ||
| Kunj Me Bhi Radhe | Asif Jeriya, Ami Joshi | F Minor | 5 | 4A | 88 BPM | ||
| Shiv Panchakshar Stotram | Sarita Joshi | G Major | 7 | 9B | 110 BPM | ||
| Saans Saans Mein | Chitra Roy | A♭ Major | 1 | 4B | 121 BPM | ||
| Jai Adhyashakti Aarti | Bipin Sathiya | F Minor | 5 | 4A | 104 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Vrajvasina Vhala Shreejibava | Dr. Dipali Bhatt | D♭ Minor | 5 | 12A | 80 BPM | ||
| Man Re Hari Bhaji | Susmita Das | C Major | 6 | 8B | 149 BPM | ||
| Jisaki Lagi Re Lagan Bhagwan Main | Tripti Shakya | E Major | 5 | 12B | 104 BPM | ||
| Shri Padmavati Chalisa | Hemant, Sangita, Chandrika, Nandita | F Major | 6 | 7B | 137 BPM | ||
| Hey Prabhu Anand Data Gyan Humko Deejiye | Vishal Khera | E♭ Major | 8 | 5B | 114 BPM | ||
| Jalaram Bavani | Kardam Sharma Joshi, Kavita Raam | F♯ Major | 7 | 2B | 128 BPM | ||
| Hai Radhika Hai Radhika | Mridul Krishan Shastri | F Major | 5 | 7B | 142 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Hu Mukt Chhu 01 | Anmol Khatri | F Minor | 5 | 4A | 80 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Bolo Om Sai Sai | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Mera Aapki Krapa Se Sab Kaam | Paras Jain | E♭ Major | 8 | 5B | 82 BPM | ||
| Narayana Suktam | Rajkot Gurukul | B Major | 5 | 1B | 132 BPM | ||
| Ram Rachit Shambhu Stuti | Manojj Negi | A♭ Major | 4 | 4B | 93 BPM |