"Where The Road Comes To An End" by Scarlet Meridian had its release date on August 30, 2024. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The song is number 9 out of 10 in A Modern Noir by Scarlet Meridian. In terms of popularity, Where The Road Comes To An End is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Where The Road Comes To An End by Scarlet Meridian is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moment | Rioghan | B♭ Minor | 7 | 3A | 140 BPM | ||
| Valkyrie | Scarlet Meridian, Dakota Alvarez | A♭ Minor | 7 | 1A | 120 BPM | ||
| EXIT | Grihastha | D♭ Major | 10 | 3B | 108 BPM | ||
| Sight To Sound | Stellar Circuits | E Major | 8 | 12B | 150 BPM | ||
| The Changeling | Saisei 再生 | F Minor | 7 | 4A | 142 BPM | ||
| Dream | Volumes | F Minor | 9 | 4A | 122 BPM | ||
| 1915 | Stoneside. | G Minor | 5 | 6A | 92 BPM | ||
| Queen Mary | Stellar Circuits | E Minor | 9 | 9A | 81 BPM | ||
| 25 | ASAVA | A Major | 8 | 11B | 140 BPM | ||
| Welcome the Hurricane | Halo Of The Sun | C Major | 9 | 8B | 116 BPM | ||
| Gore Of Being | ERRA | A Major | 10 | 11B | 135 BPM | ||
| Vendetta | Thomas Di Viesti | F Minor | 9 | 4A | 145 BPM | ||
| Vanishing Twin | Textures | G Minor | 5 | 6A | 92 BPM | ||
| Bad Seed | Stoneside. | G Minor | 5 | 6A | 92 BPM | ||
| 999 - Reimagined | Obzene, Naoko | E Minor | 9 | 9A | 150 BPM | ||
| under your skin | Silent Planet | D♭ Major | 9 | 3B | 86 BPM | ||
| Haunt | SAVE US | D♭ Minor | 9 | 12A | 120 BPM | ||
| DOPPELGÄNGER | Space Of Variations | E♭ Minor | 9 | 2A | 156 BPM | ||
| Carollin' (To The Bells) | Frostbitt | F♯ Minor | 9 | 11A | 95 BPM | ||
| Lesser Son | Catsclaw | C Minor | 10 | 5A | 103 BPM | ||
| Singularity | Pangéa2.0 | B Major | 9 | 1B | 142 BPM | ||
| The Negotiation | Divided by Design | A♭ Minor | 9 | 1A | 120 BPM | ||
| Blood Bag | Midwinter | E Minor | 10 | 9A | 90 BPM | ||
| First Sun | Karmanjakah | E Minor | 10 | 9A | 130 BPM | ||
| The Division | Unprocessed | A Major | 10 | 11B | 108 BPM |