- BPM
- 195
- Key
- C Major
- Camelot
- 8B
Maria and the Angel by Martin Stadtfeld Song Details
Martin Stadtfeld's ' "Maria and the Angel" was released on its scheduled release date, November 21, 2025. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Maria and the Angel's duration is considered a little bit shorter than the average duration of a typical track. The song is number 36 out of 66 in Christmas Instrumental Music by Michael Forster, Michael Praetorius, Adolphe Adam, Pyotr Ilyich Tchaikovsky, Wolfgang Amadeus Mozart, Sergei Prokofiev, Antonio Vivaldi, Felix Mendelssohn, George Frideric Handel, Johann Sebastian Bach, Franz Liszt, Gustav Mahler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Maria and the Angel is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
The tempo marking of Maria and the Angel by Martin Stadtfeld is Presto (very, very fast), since this song has a tempo of 195 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.368 dB
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 21%
- Instrumentalness
- 91%
- Liveness
- 14%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 62%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | |
 | Die Zauberflöte: Aria Variation (Arr. for Piano from K. 620 by Vivan und Ketan Bhatti) | Wolfgang Amadeus Mozart, Olga Scheps | F Major | 3 | 7B | 174 BPM | |
 | Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | |
 | Wer hat die schönsten Schäfchen | Traditional, Martin Stadtfeld | A♭ Major | 0 | 4B | 74 BPM | |
 | Kinderszenen, Op. 15: I. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | |
 | Nocturne No. 16 In F Major, H. 62: Nocturne No. 16 In F Major | Benjamin Frith, John Field | F Major | 0 | 7B | 71 BPM | |
 | The Seasons, Op. 37a: V. May. White Nights | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 74 BPM | |
 | Violin Concerto No. 3 in G Major, K. 216: II. Adagio | Wolfgang Amadeus Mozart, Robert Levin, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Major | 0 | 10B | 179 BPM | |
 | Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) | George Frideric Handel, Raphaela Gromes, Julian Riem | F Major | 2 | 7B | 172 BPM | |
 | 4 Sketches, Op. 15: III. Dreaming | Amy Beach, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 93 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Liszt: 12 Lieder von Franz Schubert, S. 558: No. 7, Frühlingsglaube | Franz Liszt, Aimi Kobayashi | A♭ Major | 0 | 4B | 68 BPM | |
| Es waren zwei Königskinder | Traditional, Martin Stadtfeld | A Major | 1 | 11B | 172 BPM | |
 | Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | |
 | The Merry Shepherd Boy | Hu-Wei Huang, Lang Lang | G Minor | 2 | 6A | 111 BPM | |
 | Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | |
 | Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | |
 | Song Without Words In C Minor No.2 Opus 38, Book III | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 1 | 4B | 80 BPM | |
 | Mendelssohn Variation (From Violin Concerto, Op.64/ MWV O14, Arr. for Piano by Jan-Peter Klöpfel) | Felix Mendelssohn, Gabriele Bagnati | E Minor | 2 | 9A | 84 BPM | |
 | Pavane pour une infante défunte in G major, M. 19 | Maurice Ravel, Khatia Buniatishvili | E Minor | 0 | 9A | 63 BPM | |
 | Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | |
 | Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | |
| Im Märzen der Bauer | Traditional, Martin Stadtfeld | A♭ Major | 0 | 4B | 74 BPM | |
 | Stille Musik: III. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | |
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM |
- ISRC
- DEE862401431
- Label
- L-M Records/RCA Records