"The Morning After" by Marc Streitenfeld had its release date on January 24, 2012. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. The Morning After's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Grey (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, The Morning After's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Morning After by Marc Streitenfeld having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Knox | Max Richter | F Minor | 0 | 4A | 174 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| The Stabbing | James Barth | A Major | 1 | 11B | 70 BPM | ||
| A Stay of Execution | Howard Shore | F Major | 1 | 7B | 141 BPM | ||
| Autopsy Results | Johannes Ringen | C Minor | 0 | 5A | 73 BPM | ||
| Contraposiciones | Verdes Atardeceres | B♭ Minor | 3 | 3A | 115 BPM | ||
| Retiring the Shuttle | Mychael Danna, Harry Gregson-Williams | C Major | 2 | 8B | 63 BPM | ||
| Attack on the Road | Howard Shore | D Minor | 1 | 7A | 132 BPM | ||
| Tote Sonne | Saleh Sarabov, Saleh Sarab | E Major | 1 | 12B | 45 BPM | ||
| Higher | Bruno Alerander | E Minor | 1 | 9A | 143 BPM | ||
| Maggie's Plea | Clint Eastwood | D♭ Major | 1 | 3B | 61 BPM | ||
| First Kill | Blake Neely | F Major | 0 | 7B | 85 BPM | ||
| What Did They Die For? | Max Richter | G Major | 0 | 9B | 71 BPM | ||
| Pink 2000 | Maria Korbova, Mery Leon | B♭ Minor | 1 | 3A | 85 BPM | ||
| Una Nueva Esperanza / Papá Se Marcha | Fernando Velázquez | A Minor | 0 | 8A | 83 BPM | ||
| The Pestilence And The Cerim | Jason Graves | D♭ Major | 0 | 3B | 132 BPM | ||
| Earth and Sky | Charlotte Trapasso | A♭ Major | 2 | 4B | 70 BPM | ||
| Seguros de Todo | Valores Especiales | A Minor | 3 | 8A | 108 BPM | ||
| Veins of Gold | zdone | A Minor | 5 | 8A | 98 BPM | ||
| Clear Sensing | Christopher Young | F♯ Major | 2 | 2B | 134 BPM | ||
| The Mountains | David Julyan | G Major | 2 | 9B | 79 BPM | ||
| Pinky Pinky | Visha Khan, Tune | D Major | 2 | 10B | 84 BPM | ||
| Somebody Save Us | West Dylan Thordson | B♭ Minor | 1 | 3A | 116 BPM | ||
| Village Burned | Joseph Loduca | E Minor | 1 | 9A | 67 BPM | ||
| Borden Meets Sarah | The Prestige | E Minor | 1 | 9A | 74 BPM |