Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Mikhail Krutikov Song Details

"Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to"" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Mikhail Krutikov had its release date on 1994. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Claudio Abbado's "Mussorgsky: Boris Godunov - The Sony Opera House" album is number 4 out of 78. On top of that, United States appears to be the country where this track was created. Based on our statistics, Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" by Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Mikhail Krutikov to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -20.93 dB
Acousticness: 97%
Danceability: 30%
Energy: 11%
Instrumentalness: 87%
Liveness: 11%
Loudness: 65%
Speechiness: 5%
Valence: 9%

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Prince Igor (Knyaz Igor), Act II: Dance of the Polovtsian Maidens	Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	F Major	2	7B	95 BPM
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Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
3 Pieces in Old Style: No. 1, Aria	Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	B♭ Major	0	6B	75 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
La forza del destino: Overture (Sinfonia)	Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado	E Minor	2	9A	80 BPM
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto	Sergei Prokofiev, André Previn, London Symphony Orchestra	A Major	0	11B	104 BPM
D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Symphony No.7 In E Major - Ed. Haas: 4. Finale. Bewegt, doch nicht schnell	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	D♭ Major	1	3B	117 BPM
Symphony No. 5 in B-Flat Major, Op. 100: II. Allegro marcato	Sergei Prokofiev, The Cleveland Orchestra, Franz Welser-Möst	C Major	0	8B	105 BPM
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam	Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz	B♭ Major	0	6B	60 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): 3. Variation Of The Firebird	Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung	A♭ Minor	2	1A	110 BPM
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit	Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan	D♭ Major	2	3B	66 BPM
Boris Godunov	Modest Mussorgsky, Choir of the Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater	C Major	2	8B	80 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	C Major	3	8B	106 BPM
Jeux d'enfants, Op. 22: No. 3, La poupée	Georges Bizet, Katia Labèque, Marielle Labèque	B Major	0	1B	64 BPM
Symphonie fantastique, H. 48: IV. Marche au supplice	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	2	6A	166 BPM
String Quartet No. 12 in F major, Op. 96 - "American" B.179: 2. Lento	Antonín Dvořák, Hagen Quartett	D Minor	1	7A	88 BPM
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto	Antonín Dvořák, New York Philharmonic, Alan Gilbert	E Minor	1	9A	125 BPM
The Planets, Op. 32: I. Mars, the Bringer of War	Gustav Holst, Los Angeles Philharmonic, Zubin Mehta	F Major	4	7B	89 BPM