"ユースティアナ・フォン・アストライア" by 高尾奏之介 had its release date on February 17, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 75 in the song's album "PRINCESS CONNECT! Re:Dive ORIGINAL SOUNDTRACK VOL.3". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Japan. The popularity of ユースティアナ・フォン・アストライア is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ユースティアナ・フォン・アストライア by 高尾奏之介 having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| お父さん | 加藤慶久 | B♭ Major | 5 | 6B | 180 BPM | ||
| The End of Farewell | 康 貞蘭 | F♯ Major | 2 | 2B | 77 BPM | ||
| 舞台 - 2025 Live | Tokyo Philharmonic Orchestra | D Major | 2 | 10B | 140 BPM | ||
| 捜査 | 小畑貴裕 | F Minor | 0 | 4A | 129 BPM | ||
| ウチと走ろう | Kenji Kawai | B♭ Major | 2 | 6B | 176 BPM | ||
| 暖かな春 | 廣瀬祐輝 | B♭ Major | 4 | 6B | 80 BPM | ||
| 静寂の島 | 水上浩介 | B♭ Major | 1 | 6B | 84 BPM | ||
| Stand By | Yuri Habuka | D Major | 6 | 10B | 122 BPM | ||
| 天使様の手料理 | 日向萌 | B Major | 2 | 1B | 101 BPM | ||
| 若月尚未升起 | HOYO-MiX | D Major | 2 | 10B | 140 BPM | ||
| Auguste Isles: Babbling Falls | Tsutomu Narita, グランブルーファンタジー | G Major | 4 | 9B | 156 BPM | ||
| ちゃんと見るだけで | 羽岡 佳 | F Major | 2 | 7B | 76 BPM | ||
| progress~Song 4 u from「TALES OF XILLIA」「TALES OF XILLIA2」medley - Orchestra Version-Live | Tokyo Philharmonic Orchestra, テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | F Major | 4 | 7B | 121 BPM | ||
| 魔法使いの夜~メインテーマ | Hideyuki Fukasawa | F Major | 3 | 7B | 188 BPM | ||
| 輝く未来を君と見たいから | 西村真吾 | G Major | 3 | 9B | 117 BPM | ||
| 一途な瞳 | 松田彬人 | F Major | 2 | 7B | 66 BPM | ||
| MEDIOCRIS | 中村新一郎 | A Minor | 5 | 8A | 140 BPM | ||
| The Summer View ~from the Secret Hideout~ | 柳川和樹 | D Major | 5 | 10B | 112 BPM | ||
| Pain of Memories | Falcom Sound Team jdk | F Minor | 2 | 4A | 96 BPM | ||
| かつて魔法少女と悪は敵対していた。 | MAYUKO | A Major | 1 | 11B | 120 BPM | ||
| 君のスカート丈に首ったけ | 川田瑠夏 | G Major | 3 | 9B | 188 BPM | ||
| 新生・チーム<シリウス> | 多田彰文 | C Major | 9 | 8B | 94 BPM | ||
| MAIN THEME | Sawano Hiroyuki | E Minor | 8 | 9A | 120 BPM | ||
| 通じた | Yukari Hashimoto | G Minor | 2 | 6A | 136 BPM | ||
| 厄神様の通り道 | ZUN, 交響アクティブNEETs | F Minor | 5 | 4A | 148 BPM |