John Anderson's 'The Call' had a release date set for March 24, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Nobody's Got It All". In this album, this song's track order is #5. Based on our statistics, The Call's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Call by John Anderson having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hello Daddy, Good Morning Darling | Mel McDaniel | C Major | 5 | 8B | 104 BPM | ||
| The Bluest Eyes In Texas | Restless Heart | B♭ Major | 5 | 6B | 114 BPM | ||
| Have Mercy | The Judds | D Major | 7 | 10B | 123 BPM | ||
| Hard Workin' Man | Brooks & Dunn | C Major | 8 | 8B | 152 BPM | ||
| Lonely and Gone | Montgomery Gentry | E Major | 7 | 12B | 164 BPM | ||
| The Shake | Neal McCoy | A Major | 9 | 11B | 146 BPM | ||
| This Woman and This Man | Clay Walker | F♯ Minor | 6 | 11A | 148 BPM | ||
| Cadillac Style | Sammy Kershaw | D Major | 7 | 10B | 138 BPM | ||
| The Race Is On | Sawyer Brown | E Major | 5 | 12B | 180 BPM | ||
| Amy's Back in Austin | Little Texas | G Major | 7 | 9B | 117 BPM | ||
| Honky Tonkin's What I Do Best | Marty Stuart, Travis Tritt | A Major | 9 | 11B | 166 BPM | ||
| Third Rate Romance | Sammy Kershaw | B♭ Major | 8 | 6B | 117 BPM | ||
| When the Thought of You Catches up with Me | David Ball | G Major | 3 | 9B | 91 BPM | ||
| Letters from Home | John Michael Montgomery | C Major | 6 | 8B | 128 BPM | ||
| When I Call Your Name | Vince Gill | F Major | 1 | 7B | 71 BPM | ||
| I Call It Love | Mel McDaniel, Oklahoma Wind | F♯ Major | 4 | 2B | 79 BPM | ||
| All The Gold In California | Larry Gatlin & The Gatlin Brothers | G Major | 5 | 9B | 106 BPM | ||
| Sunday In The South | Shenandoah | G Major | 4 | 9B | 91 BPM | ||
| Straight Tequila Night | John Anderson | A Major | 6 | 11B | 109 BPM | ||
| Meet Me In Montana | Dan Seals, Marie Osmond | B♭ Major | 4 | 6B | 124 BPM | ||
| Cherokee Fiddle | Johnny Lee | D Major | 7 | 10B | 145 BPM | ||
| Then What? | Clay Walker | E Major | 8 | 12B | 88 BPM | ||
| Rockin' With The Rhythm Of The Rain | The Judds | C Major | 5 | 8B | 143 BPM | ||
| Smoky Mountain Rain | Ronnie Milsap | G Major | 6 | 9B | 140 BPM | ||
| No Ordinary Man | Tracy Byrd | D Major | 5 | 10B | 86 BPM |