Ryuichi Sakamoto's ' "Psychedelic Afternoon" was released on its scheduled release date, January 20, 1995. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "sweet revenge Tour 1994". In this album, this song's track order is #7. In terms of popularity, Psychedelic Afternoon is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Psychedelic Afternoon by Ryuichi Sakamoto having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Miss You | 巨勢典子 | G Major | 1 | 9B | 84 BPM | ||
| Simple Things To Do | Music Without Films | D♭ Minor | 2 | 12A | 153 BPM | ||
| Marginalia #214 | Masakatsu Takagi | E♭ Major | 1 | 5B | 95 BPM | ||
| Midnight | Keiichiro Shibuya | E Major | 4 | 12B | 145 BPM | ||
| Yakusoku | Gontiti | F Major | 3 | 7B | 140 BPM | ||
| We'll live through the long, long days, and through the long nights | Eiko Ishibashi | D♭ Major | 3 | 3B | 111 BPM | ||
| Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
| Theme of Yen Town~Opening~ | Takeshi Kobayashi | C Major | 2 | 8B | 74 BPM | ||
| The Last One | Chicco Birds | B♭ Minor | 0 | 3A | 75 BPM | ||
| Sakura | Takahiro Kido | E♭ Major | 0 | 5B | 80 BPM | ||
| Scene II, Kyoto | 阿部海太郎 | G Major | 0 | 9B | 143 BPM | ||
| ファンタジア | 中村 由利子 | B Minor | 2 | 10A | 102 BPM | ||
| 歌の翼に 作品 34-2 | 桑原まこ | C Minor | 0 | 5A | 66 BPM | ||
| Lake's End | Cicada | A Major | 2 | 11B | 102 BPM | ||
| 一対の宝玉 | Marihiko Hara | C Minor | 1 | 5A | 82 BPM | ||
| Under The Open Sky | Masaki Hayashi | B♭ Minor | 7 | 3A | 173 BPM | ||
| 東京日和 - Orchestra Version | Taeko Onuki, Ryuichi Sakamoto | A Major | 2 | 11B | 81 BPM | ||
| memento | Teruyuki Nobuchika | D Major | 0 | 10B | 122 BPM | ||
| 鉄道員(Poppoya) | Taeko Onuki, Ryuichi Sakamoto | F♯ Minor | 0 | 11A | 74 BPM | ||
| Bedroom | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
| Prologue | Ichiko Aoba | A Minor | 1 | 8A | 94 BPM | ||
| Principe | R.S. Levi | N/A | N/A | N/A | 0 BPM | ||
| Deep Under | Eydís Evensen | E♭ Major | 2 | 5B | 114 BPM | ||
| Blue Hour | Taisei Iwasaki | G Major | 1 | 9B | 101 BPM | ||
| Angkor Wat Theme I - 電影'花樣年華 / Instrumental | Michael Galasso | F Minor | 3 | 4A | 80 BPM |