How We Feel's 'Ready For War' had a release date set for May 2, 2025. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Ready For War". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Ready For War is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ready For War by How We Feel having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Want me like you mean it | SoundsArtificial | B♭ Minor | 8 | 3A | 140 BPM | ||
| Favorite Game | Dead Air Divine | B♭ Minor | 8 | 3A | 140 BPM | ||
| Dear Life | Dead Eyes | B♭ Major | 9 | 6B | 140 BPM | ||
| CROSS THE LINE | Shadows Awake | B♭ Minor | 8 | 3A | 140 BPM | ||
| Falling in Again | Fading Into Silence | B♭ Minor | 8 | 3A | 140 BPM | ||
| Empty Chairs | Crown of Glass | B♭ Minor | 8 | 3A | 140 BPM | ||
| Atlantis | Sheridan | E Minor | 8 | 9A | 88 BPM | ||
| Haunting Me | From The Tides | E Minor | 8 | 9A | 148 BPM | ||
| Stay Till It Hits | Forevertown | D♭ Major | 8 | 3B | 110 BPM | ||
| Shadow Prowlers | KrimsonTheFox | B♭ Minor | 8 | 3A | 140 BPM | ||
| DOOMDANCE | Curveless | B♭ Minor | 9 | 3A | 112 BPM | ||
| Throne | Royal Tracks | B♭ Minor | 8 | 3A | 140 BPM | ||
| Chalice Of The Gods. | Drowning Violets | B♭ Minor | 8 | 3A | 140 BPM | ||
| DEAD SKY | BLOODRAGE | B♭ Minor | 8 | 3A | 140 BPM | ||
| Deep | Lost in Hollywood | A♭ Major | 8 | 4B | 97 BPM | ||
| Process | Brandon Hart | B♭ Minor | 8 | 3A | 140 BPM | ||
| Nothing is what it seems | SoundsArtificial | F♯ Minor | 7 | 11A | 180 BPM | ||
| Charadefall | Courland Static | F♯ Minor | 8 | 11A | 113 BPM | ||
| Who You Really Are | Stray View | A♭ Major | 10 | 4B | 105 BPM | ||
| Woven In Shadows | Micah L Jones | B♭ Minor | 8 | 3A | 140 BPM | ||
| Happy To Be Here | The Failsafe | B♭ Minor | 8 | 3A | 140 BPM | ||
| Magna Carta | UNWELL | F♯ Minor | 5 | 11A | 105 BPM | ||
| Unveil | Onsight | D♭ Minor | 9 | 12A | 145 BPM | ||
| Chalking the Church Floor | Forever After Now | F♯ Major | 9 | 2B | 93 BPM | ||
| Born to Live | Variant | D♭ Minor | 9 | 12A | 128 BPM |