"Argala Stotram" by Ramakrishna Math, Swami Sarvagananda had its release date on October 9, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 29 in the song's album "Sri Sri Chandi". In this album, this song's track order is #11. Based on our statistics, Argala Stotram's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Argala Stotram by Ramakrishna Math, Swami Sarvagananda having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Hanu Hanumate Namah | Vivek Prakash | D♭ Major | 3 | 3B | 86 BPM | ||
| Taraka Bindige | N Parthasarathy, Spoorthi Rao | F Major | 2 | 7B | 74 BPM | ||
| Hari Sharanam Hari Sharanam | Jay Kishan Prasad | F♯ Major | 7 | 2B | 82 BPM | ||
| Hari Sundar Mukanda | Deva Prabhupada | A♭ Major | 6 | 4B | 100 BPM | ||
| Sree Gurobe Namoh | Aditi Munshi | C Major | 5 | 8B | 142 BPM | ||
| Rai Jago Rai Jago | Amar Pal | F♯ Major | 4 | 2B | 116 BPM | ||
| Pavamanasuktam | Govindarajan, Malola Kannan | B Major | 5 | 1B | 112 BPM | ||
| Bir Senapati | Narendrapur University Artist, Atanu Sanyal | D♭ Minor | 5 | 12A | 170 BPM | ||
| Podaboli Kirtan (Holi Leela) | Aditi Munshi | B Major | 4 | 1B | 93 BPM | ||
| Joy Radhe Radhe Krishna Krishna | Apu Debnath, Aishwarya Saha | F Major | 5 | 7B | 155 BPM | ||
| Damodar Ashtakam | Varsha Shrivastava | F Minor | 5 | 4A | 85 BPM | ||
| Sita Ram Hanuman | Ajay Pujari | E♭ Minor | 6 | 2A | 81 BPM | ||
| Prabhat Samaye Sachir Angina | Shilpi Das | B Major | 3 | 1B | 103 BPM | ||
| Chandrashekharaya Namah Om | Sri Sathya Sai Bhajans | A Minor | 5 | 8A | 121 BPM | ||
| Kamakhya Mantra | Madhusmita | D Major | 5 | 10B | 134 BPM | ||
| Saraswati Stuti | Vallari Ambekar, Inner Splendor, Vedika Godbole | B♭ Major | 3 | 6B | 106 BPM | ||
| Shree dattatreya stotram | Vaibhavi Shrikant Shete | D Major | 3 | 10B | 66 BPM | ||
| Radhe Shyam Radhe Shyam | Swami Swatmaramananda | D♭ Major | 7 | 3B | 103 BPM | ||
| Ektuku Choa Laage | Srikanta Acharya | E♭ Minor | 4 | 2A | 164 BPM | ||
| Mahalaxmi Ashtakam | Ketan Patwardhan | D Major | 1 | 10B | 105 BPM | ||
| Chitravati Tata Vishaala Sundara Sai | Connecting Lives | B♭ Minor | 6 | 3A | 85 BPM | ||
| Ki Anonder Kotha Ume | Ramakrishna Math, Swami Kripakarananda | D Minor | 6 | 7A | 142 BPM | ||
| Aaji Godhuli Lagone | Padma Palash | D♭ Major | 4 | 3B | 138 BPM | ||
| Le Chal Apni Nagariya Avadh Bihari Saawariya | Rasraj Maharaj | D♭ Minor | 7 | 12A | 93 BPM | ||
| Tripurasundari Maa | Swami Swatmaramananda | A♭ Major | 7 | 4B | 79 BPM |