"Call" by The American Dollar had its release date on August 19, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 11 in A Memory Stream by The American Dollar. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Call is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Call by The American Dollar is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Plains | Tycho | F Minor | 3 | 4A | 140 BPM | ||
| The Stars In Autumn | Epic45 | B♭ Minor | 5 | 3A | 96 BPM | ||
| Petrichor | At The End Of Times, Nothing | C Major | 2 | 8B | 108 BPM | ||
| Little Sines | Rhian Sheehan | E♭ Major | 1 | 5B | 73 BPM | ||
| The Golden Light Swelled Somber in the East | Aural Method | E Major | 2 | 12B | 112 BPM | ||
| Thunder Rising | The American Dollar | A Minor | 5 | 8A | 115 BPM | ||
| On the Long Road Home | The End Of The Ocean | C Major | 6 | 8B | 154 BPM | ||
| Sky Could Undress | Balmorhea | A Major | 2 | 11B | 146 BPM | ||
| From Gemini to Lynx | Moonlit Sailor | B Major | 8 | 1B | 100 BPM | ||
| Behind the World | Balmorhea | A Major | 2 | 11B | 89 BPM | ||
| Split Stones | Lymbyc Systym | F Major | 6 | 7B | 140 BPM | ||
| Auto Rock | Mogwai | B♭ Minor | 4 | 3A | 120 BPM | ||
| Goodnight , so Long | Saxon Shore | A♭ Major | 1 | 4B | 103 BPM | ||
| We're Hitting Everything - Ambient | The American Dollar | E Minor | 2 | 9A | 122 BPM | ||
| Sons of Ghosts | ef | E Major | 6 | 12B | 154 BPM | ||
| Runaway Child | Joey Fehrenbach | C Major | 8 | 8B | 100 BPM | ||
| Bright | Stafrænn Hákon | D Major | 4 | 10B | 120 BPM | ||
| Petrina | Audrey Fall | B Minor | 6 | 10A | 100 BPM | ||
| Shoulders | Collapse Under The Empire | F♯ Major | 7 | 2B | 120 BPM | ||
| Winning Is Losing - Part III | James "J.D." Dallas | D Minor | 0 | 7A | 70 BPM | ||
| Synchronicity IV | Maserati | D♭ Minor | 7 | 12A | 147 BPM | ||
| Dea - Ambient | The American Dollar | F Minor | 1 | 4A | 72 BPM | ||
| Nothing It Can | Helios | D♭ Major | 2 | 3B | 110 BPM | ||
| For Years And Years | Helios | D♭ Major | 2 | 3B | 113 BPM | ||
| Replacement Driver | Saxon Shore | G Major | 7 | 9B | 130 BPM |