Charles Roland Berry's ' "Dolly Suite, Op. 56: I. Berceuse" was released on its scheduled release date, August 12, 2021. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Dolly Suite, Op. 56: I. Berceuse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Pleasant Piano Symphonies". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Based on our statistics, Dolly Suite, Op. 56: I. Berceuse's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dolly Suite, Op. 56: I. Berceuse by Charles Roland Berry having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Nocturne No. 2 in E-Flat Major, Op. 9, No. 2 | Frédéric Chopin, Balazs Szokolay | A Major | 5 | 11B | 85 BPM | ||
| Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
| Poco Adagio (4e Symphonie, 3e Movement) | José van Dam | G Major | 1 | 9B | 173 BPM | ||
| Johann Sebastian Bach: Praeludium I C-Dur BWV 846 | Květa Novotná | C Major | 1 | 8B | 103 BPM | ||
| Violin Sonata No. 5 In F Major, Op. 24, "Spring": II. Adagio Molto Espressivo | Ludwig van Beethoven, Jenő Jandó, Takako Nishizaki | B♭ Major | 0 | 6B | 81 BPM | ||
| Molter: Concerto for 2 Trumpets in D Major, MWV 6.31: II. Andante | Johann Melchior Molter, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 1 | 7A | 128 BPM | ||
| Canon and Gigue in D Major, P. 37: I. Canon | Johann Pachelbel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Major | 2 | 10B | 113 BPM | ||
| Serse, HWV 40, Act I: Ombra mai fù, "Largo" | George Frideric Handel, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 1 | 5B | 153 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood: Allegretto pastorale | Tbilisi Symphony Orchestra | E Major | 0 | 12B | 133 BPM | ||
| Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
| L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, BBC Concert Orchestra, Barry Wordsworth | D♭ Major | 2 | 3B | 87 BPM | ||
| Pachelbel Canon | St. Petersburg Orchestra Harmony | D Major | 2 | 10B | 73 BPM | ||
| Madama Butterfly: "Un Bel De Vedremo" | Yuri Sazonoff & Jerry Caringi | D Major | 0 | 10B | 86 BPM | ||
| Purcell: Abdelazer, Z. 570: II. Rondeau | Henry Purcell, Andrew Parrott, Taverner Players | D♭ Minor | 1 | 12A | 101 BPM | ||
| Elevazione for Solo Oboe, Solo Cello, Strings and Organ (Arr. V. Hunt) | Domenico Zipoli, Gordon Hunt, Norrköping Symphony Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Ludwig van Beethoven: Romanza in Fa Maggiore, Op. 50 | Uto Ughi, Ludwig van Beethoven | D Major | 0 | 10B | 77 BPM | ||
| Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Jascha Silberstein, Marie Goossens | G Major | 0 | 9B | 110 BPM | ||
| Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro moderato | Pablo Casals, Orchestre Du Festival De Prades, Yehudi Menuhin | B Minor | 3 | 10A | 77 BPM | ||
| Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
| Beethoven: Romance No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Gidon Kremer, Chamber Orchestra of Europe, Nikolaus Harnoncourt | F Major | 0 | 7B | 118 BPM | ||
| Violin Concerto in E, BWV 1042: I. Allegro | Nigel Kennedy, Berliner Philharmoniker | E Major | 3 | 12B | 94 BPM | ||
| Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, Sir Neville Marriner, Academy Chorus of St Martin in the Fields, Academy of St. Martin in the Fields | D Major | 3 | 10B | 126 BPM | ||
| "Für Elise" Bagatelle No. 25 in A Minor (feat. Sarah Ainsworth) | The Royal Festival Orchestra, William Bowles, Sarah Ainsworth | A Minor | 1 | 8A | 121 BPM | ||
| String Quartet No. 14 "Galactic Troubadour": II. Drunk on Ganymede | Charles Roland Berry, Nexus Quartet | C Major | 2 | 8B | 88 BPM |