Robert Graves's ' "Chapter 255 - Goodbye to All That" was released on its scheduled release date, February 27, 2025. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Robert Graves's "Goodbye to All That" album is number 255 out of 274. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Chapter 255 - Goodbye to All That is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chapter 255 - Goodbye to All That by Robert Graves to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Corruption of Mankind | Bible Dreaming | A♭ Major | 5 | 4B | 114 BPM | ||
| The Man In The Mirror | Busta Dogo | F Minor | 4 | 4A | 92 BPM | ||
| Night of the Vikings, Pt. 3 | Paul the Dreamtraveler | D Major | 1 | 10B | 59 BPM | ||
| The Love Song of J. Alfred Prufrock | T. S. Eliot | C Major | 1 | 8B | 101 BPM | ||
| Power Mighty | Obilina cee | E♭ Major | 0 | 5B | 163 BPM | ||
| The White Goddess: pp. 3,10,11 | Robert Graves | D♭ Minor | 2 | 12A | 84 BPM | ||
| Hope and Love | Kamsiyo Billy | F Major | 3 | 7B | 78 BPM | ||
| Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Introduction | New Philharmonia Orchestra, Richard Baker, Raymond Leppard | C Major | 0 | 8B | 171 BPM | ||
| The Creed | Spiritual Unfoldment with John Butler | A♭ Major | 1 | 4B | 115 BPM | ||
| Chapter 221 - Goodbye to All That | Robert Graves | D♭ Major | 4 | 3B | 84 BPM | ||
| Chapter 17 - Goodbye to All That | Robert Graves | D♭ Major | 4 | 3B | 111 BPM | ||
| Lesson 3a | Kieran Ball | A♭ Minor | 1 | 1A | 83 BPM | ||
| Lesson 4a | Kieran Ball | A♭ Major | 0 | 4B | 78 BPM | ||
| David and Goliath | Riley Weber | C Major | 5 | 8B | 166 BPM | ||
| Send for Mugem, Bugem & Sniffy | Children's Bedtime Stories | G Major | 1 | 9B | 120 BPM | ||
| Making Money | Big-Scholar | G Major | 1 | 9B | 120 BPM | ||
| In the Lav | Derek & Clive | E♭ Major | 2 | 5B | 83 BPM | ||
| DONT BE LEFT BEHIND | DIVINELY APPOINTED | F♯ Major | 0 | 2B | 110 BPM | ||
| Just so Stories: How the Whale Got His Throat | Rudyard Kipling, Ralph Fiennes | A♭ Major | 3 | 4B | 170 BPM | ||
| Lesson 5b | Kieran Ball | C Minor | 1 | 5A | 80 BPM | ||
| Slaughterhouse 5, Pt. 5, 6 and 7 | Kurt Vonnegut | B♭ Minor | 1 | 3A | 99 BPM | ||
| Charles Reporting | Charles Bukowski | F Minor | 6 | 4A | 125 BPM | ||
| Leaving Early | Sylvia Plath | F Minor | 0 | 4A | 130 BPM | ||
| Peter and the Wolf, Op. 67: Introduction | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Minor | 1 | 6A | 110 BPM | ||
| Teil 10 - Folge 5: Das indische Tuch | Edgar Wallace - Filmedition, Edgar Wallace, Harald Giertz-Petersson, Johannes Kai, Gerhard F. Hummel, Heinz Drache, Corny Collins, Hans Clarin | D♭ Major | 5 | 3B | 94 BPM |