Alan Reed's ' "The Usual Suspects" was released on its scheduled release date, October 8, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 8 in First in a Field of One by Alan Reed. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Usual Suspects's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Usual Suspects by Alan Reed is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drift | Arbaz Afridi, Cylix | B Major | 3 | 1B | 170 BPM | ||
| The Covenanter | Alan Reed | A♭ Major | 5 | 4B | 108 BPM | ||
| Fire | Amaliya Aliyeva, Amy A | D Major | 1 | 10B | 110 BPM | ||
| Left in the Mud | Asher Goldschmidt | A Minor | 1 | 8A | 131 BPM | ||
| Crystalline Winds | Nikos Georgiou | B Major | 2 | 1B | 144 BPM | ||
| Agartha | Tristan Schuler | C Major | 2 | 8B | 120 BPM | ||
| Unchained Melody | Hermanos Ferrando | C Major | 4 | 8B | 81 BPM | ||
| Il Cerchio Infuocato | Non Binary | D Major | 2 | 10B | 80 BPM | ||
| Holiday | Madina Janiyaz, Aleeya | E♭ Minor | 0 | 2A | 76 BPM | ||
| End of the Line | Tony Delmonte, Alan Jay Reed, Alan Reed | C Major | 4 | 8B | 80 BPM | ||
| Cuerpos Intrusos | Moon Vagrants | D♭ Minor | 1 | 12A | 110 BPM | ||
| Absolute Aggression | Moritz Bintig, Alan Reed, Michael Wolpers | B Minor | 8 | 10A | 113 BPM | ||
| Le temps qui passe | Pierre Desprats | G Minor | 5 | 6A | 129 BPM | ||
| Tarde Y Bien | Moon Vagrants | D♭ Minor | 1 | 12A | 110 BPM | ||
| Where the Darkness Is | Alan Reed, Tony Delmonte | A Major | 2 | 11B | 130 BPM | ||
| Cerezo | Tofik Mikayilzade, MirBala | F♯ Minor | 1 | 11A | 80 BPM | ||
| Substance Over Size | Michiel van den Bos | D Minor | 2 | 7A | 110 BPM | ||
| Emerging Markets | Alan Reed, Tony Delmonte | D Major | 3 | 10B | 150 BPM | ||
| Censura | Hermanos Ferrando | A Minor | 3 | 8A | 139 BPM | ||
| Fire Dragon | Moritz Bintig, Alan Reed | G Major | 6 | 9B | 120 BPM | ||
| Paciones | enciclope | D Major | 0 | 10B | 86 BPM | ||
| Wind Across the Threshold | Shadow's Symphony | D♭ Minor | 3 | 12A | 61 BPM | ||
| Breathing Earth | Maëlle Dura | C Major | 0 | 8B | 126 BPM | ||
| Erudito | aniko | G Minor | 4 | 6A | 95 BPM | ||
| Ephemeral Insights | The Ðevil & the Uñiverse | G Minor | 4 | 6A | 92 BPM |