"Rinaldo, HWV 7a: Cara sposa (Air de Rinaldo)" by Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska had its release date on November 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 11 in Farinelli - Il Castrato (Original Motion Picture Soundtrack) [From Gérard Corbiau's Film Farinelli, il castrato] by Christophe Rousset. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Rinaldo, HWV 7a: Cara sposa (Air de Rinaldo) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rinaldo, HWV 7a: Cara sposa (Air de Rinaldo) by Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 83 BPM | ||
| Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
| Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM | ||
| Les Indes galantes, RCT 44, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages) | Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 78 BPM | ||
| La fida ninfa, RV 714, Act II, Scene 3: Recitativo (Narete, Oralto) | Antonio Vivaldi, Jean-Christophe Spinosi, Lorenzo Regazzo, Ensemble Matheus, Topi Lehtipuu | E Minor | 1 | 9A | 69 BPM | ||
| Zaïs: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | D♭ Major | 1 | 3B | 129 BPM | ||
| Handel: Il trionfo del Tempo e del Disinganno, HWV 46a: "Lascia la spina, cogli la rosa" (Piacere) | George Frideric Handel, Philippe Jaroussky | D Major | 1 | 10B | 78 BPM | ||
| Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 69 BPM | ||
| Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, I Barocchisti, Julia Lezhneva, Diego Fasolis | F♯ Minor | 1 | 11A | 111 BPM | ||
| Requiem in D Minor, K. 626: Offertory No. 2: Hostias | Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Wiener Sängerknaben, Chorus Viennensis, Symphonieorchester der Volksoper Wien, Peter Marschik | D Minor | 0 | 7A | 80 BPM | ||
| Mass in C Minor, K. 427: Mass in C Minor, K. 427: I. Kyrie eleison | Wolfgang Amadeus Mozart, Chœurs du Collegium Vocale et de La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe, Christiane Oelze, La Chapelle Royale | C Minor | 1 | 5A | 100 BPM | ||
| Endimione e Cintia: Aria "Se geloso è il mio core" | Alessandro Scarlatti, Elizabeth Watts, Mark Bennett, Laurence Cummings, The English Concert | D♭ Major | 1 | 3B | 110 BPM | ||
| Pièces de Clavecin, Premier Livre 1746: 14. La marche des Scythes: Fièrement | Joseph-Nicolas-Pancrace Royer, Christophe Rousset | B Minor | 4 | 10A | 85 BPM | ||
| Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Nicklausse, Giulietta, Chœur) | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Chœurs de la Monnaie, Jessye Norman, Orchestre Symphonique De La Monnaie | D Major | 1 | 10B | 81 BPM | ||
| Premier livre: Rondeau en do | Jacques Duphly, Christophe Rousset | B Major | 5 | 1B | 108 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! Se intorno a quest'urna funesta" (Reprise) [Coro] | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Minor | 2 | 10A | 35 BPM | ||
| Dido and Aeneas, Z. 626: Act III, When I Am Laid in Earth | Henry Purcell, Andrew Parrott, Emily Van Evera, Taverner Players | F♯ Minor | 0 | 11A | 107 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah! se intorno a quest'urna funesta" (Orfeo, Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Minor | 2 | 10A | 89 BPM | ||
| Les Pêcheurs de perles: A cette voix quel trouble... Je crois entendre encore (Nadir) | Georges Bizet, Rolando Villazón, Das Münchner Rundfunkorchester, Michel Plasson, Muenchner Rundfunkorchester | E Minor | 1 | 9A | 73 BPM | ||
| Les Goûts-réünis - Concert No. 11 in C minor: 4. Courante I | François Couperin, Les Talens Lyriques, Christophe Rousset | G Major | 2 | 9B | 61 BPM | ||
| L'Orfeo / Act III: "Possente spirto" | Claudio Monteverdi, Anthony Rolfe Johnson, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 74 BPM | ||
| Stabat Mater, P. 77: XII. Quando corpus - Amen | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | B♭ Minor | 1 | 3A | 121 BPM | ||
| Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
| Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
| Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) | Francesco Cavalli, Philippe Jaroussky | G Major | 2 | 9B | 70 BPM |