"Baby Man" by Mary Lou Williams, Buster Williams, Mickey Roker had its release date on 1987. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 12 in Free Spirits by Mary Lou Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. In terms of popularity, Baby Man is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Baby Man by Mary Lou Williams, Buster Williams, Mickey Roker is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gemini | Jimmy Heath | A♭ Major | 3 | 4B | 181 BPM | ||
| In The Blue Of The Evening | Tommy Flanagan Trio | F Major | 2 | 7B | 135 BPM | ||
| Roy | Ambrose Akinmusire | B♭ Major | 0 | 6B | 108 BPM | ||
| Tomorrow Is The Question! - Instrumental | Ornette Coleman | D Major | 3 | 10B | 120 BPM | ||
| I've Got A Crush On You | Thad Jones | B♭ Major | 1 | 6B | 83 BPM | ||
| Chelsea Bridge | Tommy Flanagan Trio | F Minor | 2 | 4A | 125 BPM | ||
| Day Dream | Billy Strayhorn | F Major | 1 | 7B | 70 BPM | ||
| Mean To Me | Nat Adderley, Wes Montgomery | F Minor | 1 | 4A | 133 BPM | ||
| Not A Tear | Wynton Kelly Trio | F Minor | 3 | 4A | 128 BPM | ||
| Dreamsville | Mulgrew Miller, Wingspan | E Minor | 1 | 9A | 130 BPM | ||
| Journey Into The Melody | Stanley Turrentine | F Major | 0 | 7B | 98 BPM | ||
| Free Spirits | Mary Lou Williams, Buster Williams, Mickey Roker | B♭ Minor | 3 | 3A | 95 BPM | ||
| Don't Take Your Love From Me | Johnny Hodges & His Orchestra | C Major | 1 | 8B | 178 BPM | ||
| There Is No Greater Love | McCoy Tyner Trio | G Minor | 3 | 6A | 166 BPM | ||
| September in the Rain | Roy Hargrove, Billy Higgins, Antonio Hart, Stephen Scott, Christian McBride | F Minor | 1 | 4A | 119 BPM | ||
| Everything I Love | Zoot Sims | A♭ Major | 4 | 4B | 96 BPM | ||
| Black Coffee | Sonny Criss | F Minor | 2 | 4A | 125 BPM | ||
| A Smooth One | Junior Mance | F Minor | 2 | 4A | 125 BPM | ||
| Where or When | Wynton Marsalis | E Major | 0 | 12B | 125 BPM | ||
| Theme for the Eulipions | Rahsaan Roland Kirk | F Minor | 4 | 4A | 137 BPM | ||
| Softly As In A Morning Sunrise | Wynton Kelly | F Minor | 1 | 4A | 127 BPM | ||
| Elvin's Guitar Blues | Elvin Jones, Richard Davis | F Major | 1 | 7B | 100 BPM | ||
| Bohemia After Dark | Oscar Pettiford | G Minor | 4 | 6A | 90 BPM | ||
| Golden Earrings | Ray Bryant Trio | A♭ Major | 2 | 4B | 136 BPM | ||
| A Hundred Dreams from Now | Ray Bryant | C Major | 0 | 8B | 182 BPM |