Ranjana Joglekar's ' "Nana Parimal" was released on its scheduled release date, April 1, 2010. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Nana Parimal's duration is considered a little bit shorter than the average duration of a typical track. The song is number 56 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Nana Parimal is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Nana Parimal by Ranjana Joglekar is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amra Bandhu Dujan | Bappi Lahiri, Reema Lahiri | A♭ Minor | 9 | 1A | 161 BPM | ||
| Maza Sonula | Anil Mohile | F Major | 7 | 7B | 93 BPM | ||
| Sai Maze Tat Sai Mazi Aai | Ranjana Joglekar | D♭ Major | 5 | 3B | 142 BPM | ||
| Shree Swami Samartha Jai Jai Swami Samartha (Male Version) (Male Version) | Shreedar Phadke | D Major | 6 | 10B | 113 BPM | ||
| Khodi Majhi Kadaltar | Prajakta Joshi | E Major | 5 | 12B | 120 BPM | ||
| Paush Punvala Kaalubaicha | Anand Shinde | E♭ Minor | 9 | 2A | 109 BPM | ||
| Vatslyache Daan Milalye | Lalit Sen, Sanjeev Kohli | F Major | 7 | 7B | 92 BPM | ||
| Swapnat G Alis Tu | Yuvraj Pradhan | A♭ Major | 9 | 4B | 90 BPM | ||
| Aarti Gangamatechi | Suresh Wadkar, Prahlad Shinde, Anupama, Ravindra Sathe, Ranjana Joglekar, Mrudula Dadhey, Suchitra Barve, Suryakant Shinde, Jyotsna Ganpule, Suchitra Bhagwat | F Minor | 6 | 4A | 111 BPM | ||
| Kaisa Kudrat Ka Kanoon | Mohammed Aziz | D♭ Major | 7 | 3B | 134 BPM | ||
| O Janeman | Shailendra Singh | A Minor | 9 | 8A | 124 BPM | ||
| Kajol Kore Rakhbo Tomay | Sapan Chakraborty, Asha Bhosle, Amit Kumar | A Minor | 3 | 8A | 85 BPM | ||
| Maghachi Thandi | Ranjana Joglekar | B Major | 5 | 1B | 73 BPM | ||
| Jana Jana Jatri Bantu Noda | Basavaraj Narendra | F Major | 8 | 7B | 118 BPM | ||
| Ladke Idhar Bhi | Udit Narayan, Preeti Uttam | A♭ Major | 8 | 4B | 167 BPM | ||
| O Saathi Re Female - Jhankar Beats | Asha Bhosle | A♭ Minor | 7 | 1A | 104 BPM | ||
| Samay Bada Balwan Hai | Nitin Mukesh, Kalyanji-Anandji | C Major | 7 | 8B | 141 BPM | ||
| Ami Shilpi Hote Chai | Bappi Lahiri | C Minor | 5 | 5A | 176 BPM | ||
| Deva Shri Gajanana | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Vaada Na Tod | Bally Sagoo, Ranjana Joglekar | G Minor | 8 | 6A | 90 BPM | ||
| Manva Mora Milan Mei | Brahma Kumaris | D♭ Minor | 7 | 12A | 80 BPM | ||
| Teri Ungli Pakad Ke Chala - Jhankar | Udit Narayan, Jyostna Hardikar | B Minor | 7 | 10A | 126 BPM | ||
| AA Himat Ka Ek Kadam | Brahma Kumaris | G Major | 3 | 9B | 130 BPM | ||
| Mohe Chhota Mila Bhartaar | Hemlata, Chetan, Jaspal Singh | B Minor | 8 | 10A | 111 BPM | ||
| X Y Z Jara Boloji | Mukta Shankar, Jolly Mukherjee | B Major | 6 | 1B | 113 BPM |