Raghunandan Panshikar's ' "Ram Raksha Mantra" was released on its scheduled release date, October 1, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Shri Ram Raksha Mantra". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Ram Raksha Mantra is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ram Raksha Mantra by Raghunandan Panshikar having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shree Narsimha Mantra | Kumaar Sanjeev, Darshita Kedare | E♭ Major | 4 | 5B | 76 BPM | ||
| Jaya Lambodara Paahimaam (Prarthana II) | Sri Sathya Sai International Organization | D♭ Major | 5 | 3B | 125 BPM | ||
| Saraswati Vandana & Saraswati Gayatri | Raghunandan Panshikar, Ritesh-Rajneesh Mishra | E♭ Major | 8 | 5B | 120 BPM | ||
| Krishna Sumiran | Ananya Basu | E Major | 4 | 12B | 100 BPM | ||
| Asa Kasa Devacha Dev Thakada | Gokul. M. Honde | F♯ Major | 5 | 2B | 164 BPM | ||
| Evadha Vel Ka Laavilaa | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Guru Stuti | Raghunandan Panshikar | F♯ Major | 4 | 2B | 169 BPM | ||
| Chetavni Ko Ang, Updesh Ko Ang | Kavi Narayan Agrawal, Raghunandan Panshikar | E Major | 4 | 12B | 113 BPM | ||
| Swami Shakti | Yogesh Tapasvi | A♭ Major | 6 | 4B | 82 BPM | ||
| Tri Sandhya Savitri | Raghunandan Panshikar | F Minor | 3 | 4A | 175 BPM | ||
| Shiva Shloka - Karpoor Gauram | Raghunandan Panshikar | D Major | 1 | 10B | 110 BPM | ||
| काळ देहासी आला खाऊ | Balkrishna dada Vasantgadkar | A♭ Major | 5 | 4B | 90 BPM | ||
| Naam Sagun Samarth V-2 | Mandar Apte | G Minor | 4 | 6A | 135 BPM | ||
| Naam Sagun Samarth | Rahul Deshpande | E♭ Minor | 7 | 2A | 111 BPM | ||
| Achyutanant Govind | Raghunandan Panshikar, Bharat Nawani | G Major | 4 | 9B | 145 BPM | ||
| Guruparak Ko Ang, Guru Shishya Hera Ko Ang, Nigura Ko Ang | Kavi Narayan Agrawal, Raghunandan Panshikar | E Major | 4 | 12B | 119 BPM | ||
| Mata Chintpurni Aarti | BHAKTI MARG, Saleem | A♭ Minor | 4 | 1A | 90 BPM | ||
| Bhavsambhav | Shree Swaminarayan Mandir Kalupur | D♭ Major | 4 | 3B | 90 BPM | ||
| Lingashtakam – Sacred Shiva Stotram | Dhyan | A♭ Major | 5 | 4B | 90 BPM | ||
| Vittala Vittala Paanduranga | Sivasri Skandaprasad | A♭ Major | 9 | 4B | 122 BPM | ||
| Jeevan He Devakaarya | Shankar Mahadevan | E♭ Major | 4 | 5B | 113 BPM | ||
| Swami Samarth Ashtak | Nirupama Dey | E♭ Major | 3 | 5B | 157 BPM | ||
| Datta Sthavam | Sri Hari Atchuta Rama Sastry, Smt. T. Uma Kameswari | D♭ Major | 7 | 3B | 122 BPM | ||
| Navratnam | Hiren Khakhi | A♭ Minor | 5 | 1A | 116 BPM | ||
| Ab Main Jaanyo Sahi | Raagopanishad, Raghunandan Panshikar | F Major | 7 | 7B | 145 BPM |