"Echoes (A)" by Robert Howes, Rod Argent had its release date on January 1, 1984. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Echoes (A)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Robert Howes, Rod Argent's "Kpm 1000 Series: Second Sight" album is number 18 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Echoes (A)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Echoes (A) by Robert Howes, Rod Argent to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adullam | Vessels Of Judah | D♭ Major | 5 | 3B | 98 BPM | ||
| The Unanswered Question | Charles Ives, Royal Northern Sinfonia, James Sinclair | C Major | 0 | 8B | 63 BPM | ||
| Ah! | Popol Vuh | A♭ Major | 2 | 4B | 87 BPM | ||
| Kaltenland | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
| The Prodigal Son (feat. Robert Howes) | Alan Titchmarsh, Robert Howes | F Minor | 2 | 4A | 133 BPM | ||
| Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Minor | 0 | 12A | 106 BPM | ||
| Segreti Nascosti | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
| Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ | Ton Koopman | F♯ Minor | 0 | 11A | 62 BPM | ||
| In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
| Concerto in C Major for Mandolin, Strings and Harpsichord, P. 134: I. Allegro | Antonio Vivaldi, Sol Goichberg, Max Goberman, English Chamber Orchestra, Raymond Leppard | C Major | 4 | 8B | 171 BPM | ||
| Traditori | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
| Far-Off Lands | Rod Argent, Robert Howes | G Minor | 1 | 6A | 114 BPM | ||
| Götterdämmerung / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Minor | 0 | 6A | 68 BPM | ||
| Classic Love | Nadyia Lvov | C Major | 0 | 8B | 80 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Brideshead Revisited Theme | Geoffrey Burgon | F Major | 1 | 7B | 147 BPM | ||
| On My Knees | Marc Ezenge | D♭ Major | 1 | 3B | 77 BPM | ||
| Whispers in the Leaves | Conard Sandpiper | A Minor | 1 | 8A | 86 BPM | ||
| Children's Corner: No. 4: Snowflakes Are Dancing | Isao Tomita | G Minor | 3 | 6A | 79 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | G Major | 0 | 9B | 58 BPM | ||
| A Queen Among Queens | Lily Jimeth | E♭ Minor | 2 | 2A | 86 BPM | ||
| Conflict | Petrina Smith, Robert Howes, Rob Overseer | C Major | 2 | 8B | 83 BPM | ||
| La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
| Requiem in C Minor: VII. Agnus Dei | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 85 BPM |