Rael Jones's 'The Heist' had a release date set for July 26, 2019. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. The Heist's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rael Jones's "Harlots Seasons 3 (Original Series Soundtrack)" album is number 7 out of 19. The Heist is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Heist by Rael Jones to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burning Down Dungatar | David Hirschfelder | G Major | 2 | 9B | 180 BPM | ||
| "Mr Warne!" | Nigel Westlake | G Major | 1 | 9B | 93 BPM | ||
| Masked Like the Night | Michael Price, Rael Jones | D Major | 3 | 10B | 140 BPM | ||
| Desert Breezes | Grant Kirkhope, The City of Prague Philharmonic Orchestra | C Major | 1 | 8B | 117 BPM | ||
| Marian Brook | Harry Gregson-Williams, Rupert Gregson-Williams | F♯ Minor | 2 | 11A | 170 BPM | ||
| The Mirror Crack'd from Side to Side | Dominik Scherrer | C Minor | 2 | 5A | 72 BPM | ||
| Cambridge, 1963 | Jóhann Jóhannsson | B♭ Major | 1 | 6B | 83 BPM | ||
| Coppelia - Radio Suite | Maurizio Malagnini | C Major | 2 | 8B | 145 BPM | ||
| I Am a Gentleman / Mig's Story | William Ross | D Major | 0 | 10B | 86 BPM | ||
| Simone | Philippe Sarde | A Minor | 1 | 8A | 89 BPM | ||
| On The Bench - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Steve Jones, Katalin Sarkady | C Major | 4 | 8B | 67 BPM | ||
| Sarah And Karl Go Wrong - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Katalin Sarkady | C Major | 4 | 8B | 67 BPM | ||
| San Francisco | Theodore Shapiro | G Major | 0 | 9B | 135 BPM | ||
| I Missed You | James Shearman, Nick Ingman | E♭ Major | 1 | 5B | 78 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| A Land Filled With Wonder | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| The Guernsey Literary And Potato Peel Pie Society | Alexandra Harwood | G Major | 2 | 9B | 116 BPM | ||
| "One Small Fact" | John Williams | A♭ Minor | 1 | 1A | 131 BPM | ||
| Reading Jane's Letter | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| A Christmas Morning | Maurizio Malagnini | D Major | 2 | 10B | 82 BPM | ||
| El viaje de Judy | Fernando Velázquez | D♭ Major | 4 | 3B | 96 BPM | ||
| Grace Dreams | Alex Heffes | F Minor | 4 | 4A | 180 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM | ||
| Distant Lives (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E♭ Major | 0 | 5B | 55 BPM |