Antonio Vivaldi, Innsbrucker Festwochenorchester, Alessandro De Marchi's 'L'Olimpiade, RV 725, Act I: Sinfonia. Andante' had a release date set for January 22, 2026. The duration of This song is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. L'Olimpiade, RV 725, Act I: Sinfonia. Andante's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: L'Olimpiade, RV 725 by Antonio Vivaldi, Raffaele Pe, Bejun Mehta, Margherita Maria Sala, Benedetta Mazzucato, Innsbrucker Festwochenorchester, Alessandro De Marchi, Eleonora Bellocci, Christian Senn, Luigi De Donato, Coro Maghini. The song's track number on the album is #2 out of 66 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, L'Olimpiade, RV 725, Act I: Sinfonia. Andante is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since L'Olimpiade, RV 725, Act I: Sinfonia. Andante by Antonio Vivaldi, Innsbrucker Festwochenorchester, Alessandro De Marchi has a tempo of 110 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With L'Olimpiade, RV 725, Act I: Sinfonia. Andante being at 110 BPM, the half-time would be 55 BPM with a double-time of 220 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Sonata in C Major, Op. 5 No. 3, H. 105: I. Andante | Francesco Geminiani, Andreas Gilger, Adrian Cygan | B Major | 1 | 1B | 92 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| Sinfonia Doriclea | Francesco Cavalli, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Sinfonia viggesima terza a due viole: I. Grave - Allegro - Corrente | Rocco Greco, I Mastricelli | E Major | 3 | 12B | 105 BPM | ||
| Suite in F Major: IV. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | ||
| Tchaikovsky: 6 Pieces, Op. 19: No. 4, Nocturne (Arr. Lozakovich for Violin and Piano) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Hélène Mercier | E Major | 3 | 12B | 105 BPM | ||
| Rameau: Achante et Céphise, Act 2: Plainte | Jean-Philippe Rameau, Alexis Kossenko, Les Ambassadeurs ~ La Grande Écurie | E Major | 3 | 12B | 105 BPM | ||
| Messa a 5 Concertata: I. Sinfonia avanti la Messa | Giovanni Paolo Colonna, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 151 BPM | ||
| Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
| Scarlatti, D: Sinfonia No. 7 in C Major: II. Adagio e staccato | Domenico Scarlatti, Fabio Biondi, Europa Galante | F♯ Major | 0 | 2B | 36 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Le trophée: Gavotte pour les muses et les plaisirs. Gracieusement | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | F Major | 0 | 7B | 73 BPM | ||
| Introduttione IV in G Major, Op. 4 No. 4: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | ||
| String Sonata à 5 in G Minor, Op. 2 No. 11: IV. Allegro | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | E♭ Major | 3 | 5B | 95 BPM | ||
| Trio sonata in B-Flat Major, Wq. 161/2: I. Allegro | Carl Philipp Emanuel Bach, Café Zimmermann | D♭ Minor | 3 | 12A | 106 BPM | ||
| Orchestral Suite No. 1 in C Major, BWV 1066: V. Menuets I & II | Johann Sebastian Bach, Boston Baroque, Martin Pearlman | D♭ Major | 1 | 3B | 90 BPM | ||
| Sonata No. 3 in G Minor, BWV 1029: III. Allegro | Johann Sebastian Bach, Matt Haimovitz, Christopher O'Riley | E Major | 3 | 12B | 105 BPM | ||
| Concerto for 2 Violins and Cello in D Minor, RV 565, Op. 3 No. 11: III. Allegro | Antonio Vivaldi, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Violin Concerto in F Major: III. Allegro | Giovanni Battista Somis, Concerto Köln, Evgeny Sviridov | E Major | 3 | 12B | 105 BPM | ||
| Himmelskönig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 0 | 2B | 96 BPM | ||
| Platti: Cello Concerto in D Major, WD 650: II. Adagio | Giovanni Benedetto Platti, Edgar Moreau, Riccardo Minasi, Il Pomo D'oro | B Minor | 1 | 10A | 98 BPM | ||
| Sonata in D Major, Op. 6, No. 7: III. Adagio | Tomaso Albinoni, Ensemble Barocco Sans Souci | B♭ Minor | 0 | 3A | 52 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM |