角野 裕, 角野怜子's ' "組曲《ドリー》作品56から「かわいらしさ」" was released on its scheduled release date, March 1, 1990. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 組曲《ドリー》作品56から「かわいらしさ」's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ピアノ連弾シリーズ フランス3大連弾曲 ドリー / 小組曲 / マ・メール・ロワ, so we believe that "組曲《ドリー》作品56から「かわいらしさ」" is a single. Based on our statistics, 組曲《ドリー》作品56から「かわいらしさ」's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of 組曲《ドリー》作品56から「かわいらしさ」 by 角野 裕, 角野怜子 is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tango in D, Op. 165, No.2. - Duo-Art 5662 | Isaac Albéniz, George Copeland, Peter Phillips | A Major | 0 | 11B | 122 BPM | ||
| Nocturne in C Sharp Minor, Op Posth | Elif Naz Ertuğrul | F♯ Minor | 1 | 11A | 73 BPM | ||
| Lieder Ohne Worte. Op. 102: No. 4, Sighing Wind - Duo-Art 057 Br | Felix Mendelssohn, Vladimir de Pachmann, Peter Phillips | A Major | 0 | 11B | 122 BPM | ||
| Sheller: La Bavaroise | Alexandre Tharaud | B♭ Minor | 2 | 3A | 133 BPM | ||
| Hotel Salon Special | Teres | D♭ Major | 0 | 3B | 70 BPM | ||
| 3 Intermezzi, Op. 117: II. Andante non troppo e con molta espressione | Johannes Brahms, Axel Gillison | D♭ Major | 0 | 3B | 73 BPM | ||
| Olas Suaves | AriaZz | G Major | 3 | 9B | 102 BPM | ||
| 17 Ländler, D.366: No.7 in G Major and No.8 in D Major | Songs of Birdland, Mu Dimon, Classical of Birdland | B♭ Major | 1 | 6B | 92 BPM | ||
| マ・メール・ロワ 妖精の園 | 角野 裕, 角野怜子 | D Major | 0 | 10B | 85 BPM | ||
| マ・メール・ロワ パゴダの女王レドロネット | 角野 裕, 角野怜子 | E Minor | 1 | 9A | 60 BPM | ||
| Keys to the Soul | J.K. Hodge | C Major | 0 | 8B | 76 BPM | ||
| Serenity | Hisako Hirata | C Major | 0 | 8B | 72 BPM | ||
| 6 Klavierstücke, Op. 118: II. Intermezzo (Andante teneramente) | Johannes Brahms, Axel Gillison | B Major | 0 | 1B | 66 BPM | ||
| An Easy Life | Goetz Oestlind | A♭ Major | 1 | 4B | 124 BPM | ||
| Prelude Op. 23 No. 4 in D-Major: Andante cantabile | Sergei Rachmaninoff, Park Eun Shik | F Major | 2 | 7B | 89 BPM | ||
| 愛を奏でて<海の上のピアニスト> | 及川浩治 | B♭ Major | 1 | 6B | 70 BPM | ||
| Particle Rise | Dontea | E Minor | 2 | 9A | 92 BPM | ||
| Breakpoint | Damian Berens | F Major | 0 | 7B | 71 BPM | ||
| Sonatina No. 4 in G Minor | Moisés Moleiro, Clara Rodriguez | D Major | 0 | 10B | 144 BPM | ||
| Surprise-Party | Maya Badian | B♭ Minor | 4 | 3A | 132 BPM | ||
| Secret Language | Kokoro Shimizu | G Minor | 1 | 6A | 149 BPM | ||
| Together | Lora Chow | B Major | 0 | 1B | 70 BPM | ||
| マ・メール・ロワ 眠りの森の美女のパヴァーヌ | 角野 裕, 角野怜子 | G Major | 1 | 9B | 143 BPM | ||
| Preludes, Op.31 (2003 - Remaster): No.13 (Cantique des cantiques) | Charles-Valentin Alkan, Ronald Smith | B♭ Minor | 0 | 3A | 88 BPM | ||
| Lejano Azul | Luis Antonio Calvo, Anna Miernik | G Minor | 1 | 6A | 91 BPM |