Christopher Willis's ' "These Pages Must Show (End Credits)" was released on its scheduled release date, January 17, 2020. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. These Pages Must Show (End Credits)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Personal History of David Copperfield (Original Motion Picture Soundtrack)". In this album, this song's track order is #33. Based on our statistics, These Pages Must Show (End Credits)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With These Pages Must Show (End Credits) by Christopher Willis having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The New Fraser's Ridge | Bear McCreary | A Major | 1 | 11B | 78 BPM | ||
| Such Good Luck - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 73 BPM | ||
| Northern Lights | Jacob Shea | F Major | 2 | 7B | 73 BPM | ||
| I Fall Into Disgrace | Christopher Willis | G Minor | 3 | 6A | 0 BPM | ||
| Sleeping Draught | Anne Nikitin | G Minor | 1 | 6A | 173 BPM | ||
| Not Just A Visitor | Matthew Dennis | C Major | 1 | 8B | 116 BPM | ||
| Expansion Project | Samuel Sim | D♭ Major | 2 | 3B | 166 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Brideshead Revisited: No. 8, That First Visit | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | F♯ Minor | 1 | 11A | 75 BPM | ||
| The White House | Joseph Vitarelli | E♭ Major | 2 | 5B | 76 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| Harriet Smith And Robert Martin Meet On The Road | Isobel Waller-Bridge, David Schweitzer | G Major | 0 | 9B | 76 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| Halls Of The White House | W.G. Snuffy Walden | C Major | 2 | 8B | 101 BPM | ||
| Oxfords, Not Rogues | Matthew Margeson, Dominic Lewis | F Major | 2 | 7B | 79 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| Parental Help | Lorne Balfe, Jon Ong | F Major | 2 | 7B | 134 BPM | ||
| Look At That Beautiful Face | Mark Isham | A Major | 1 | 11B | 155 BPM | ||
| It's a Girl | Johannes Lehniger, Sebastian Damerius, Lisa Morgenstern | A Major | 3 | 11B | 96 BPM | ||
| Charles | Martin Phipps | D Minor | 0 | 7A | 117 BPM | ||
| Suite for Caleb and Tarima | Jeff Russo | G Minor | 1 | 6A | 173 BPM | ||
| The Wedding | Maurizio Malagnini | C Major | 2 | 8B | 77 BPM | ||
| Mission Extreme - Instrumental Version | Tony Clarke, Christopher Willis | G Minor | 6 | 6A | 95 BPM | ||
| The Journey Begins | William Ross | B♭ Minor | 1 | 3A | 80 BPM | ||
| Pride and Prejudice Suite: I. Meet the Family | Carl Davis, Philharmonia Orchestra | B♭ Major | 2 | 6B | 124 BPM |